Married women -- Fiction; Mothers and daughters -- Fiction
“Oh Lord, no! This sort of party would not be her form. Con would give
them fits, and they would bore her stiff! This is the duty lot, that’s
to give you a start, eh! Most of them have family prayers, and go to
bed at ten o’clock. Later, I’ll have my own pals down, and they will
keep the place lively. My mother’s set are infernally dull.”
This was not an auspicious preparation, for a nervous bride, and her
first house-party.
“Now look here, don’t _you_ attempt to do anything,” he continued
authoritatively; “leave all to Bates, the housekeeper. She’s got to
run the establishment, that’s her job and what she’s paid for--she
manages the servants, and engages and dismisses them, orders the meals,
pays the tradespeople--so you have absolutely nothing to do but to sit
tight, and make yourself agreeable.”
The guests duly arrived; arrangements for their reception were
complete, the best state bedrooms were open, the choicest greenhouse
flowers were brought into the house, the silver service was displayed,
everything was perfectly done, there was no hitch.
Mrs. Fenchurch, brimming over with importance and curiosity, embraced
her dearest Letty with well-assumed effusion. The Dowager Mrs. Blagdon
merely gave her daughter-in-law a frozen kiss, and requested to be
conducted to her room.
The company assembled that night in the white drawing-room, was
composed of the ‘dull’ people, with reposeful manners, who knew one
another more or less intimately; several were closely related, and the
women called one another by their Christian names. There was no loud,
hilarious laughing, no rouge, no cigarette cases; the Dowager Mrs.
Blagdon was majestic in velvet and old lace, Mrs. Fenchurch wore a
hideous green costume, Lady Gaythorne, a too well-known black brocade.
The most conspicuous figure on the occasion was the hostess; by her
husband’s commands she was magnificent, amazing, in one of Tartare’s
most startling gowns; a vivid sulphur, shaded to orange, half veiled
in silver gauze, and here and there deepened with black. It had the
effect that Blagdon desired and made everyone in the room open their
eyes. There was no question of its expense and execution--but it was
theatrical. Yes, that was how the guests spoke of it, ‘theatrical!’--a
robe more suitable to the emancipated wife in a big society play, a
_divorcée’s_ robe, in which to trail the stage, and storm and scoff,
and vow and weep, than to a young girl-bride in her own drawing-room.
Letty wore, also, the splendid Blagdon diamonds, and these, that would
have been proper enough with her wedding gown, added just the required
touch of lawless extravagance to her appearance.
Public-domain text, read in full here on John Shaqi.
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