"He was sleeping in a little bed in my room, and he suddenly sprang up and said, 'It's a good thing that's not true, anyway.' I asked what was the matter, and he told me. He was, it seems, in a beautiful golden ship with silver sails, sailing away to Heaven, when suddenly he met another ship--a black, wicked-looking ship--bound for what Marget calls 'the Ill Place,' and to his horror he recognized all his family on board. 'What did you do, Buff?' I asked, and poor old Buff gave a great gulp and said, _'I came on beside you.'_" "Sound fellow!" said Arthur. _CHAPTER XIII_ "'O tell me what was on yer road, ye roarin' norland wind, As ye cam' blowin' frae the land that's never frae my mind? My feet they traivel England, but I'm deein' for the North--' 'My man, I heard the siller tides rin up the Firth o' Forth.'" _Songs of Angus._ Since the afternoon when Mr. Stewart Stevenson had called and talked ballads with Mr. Seton he had been a frequent visitor at the Setons' house. Something about it, an atmosphere homely and welcoming and pleasant, made it to him a very attractive place. One afternoon (the Thursday of the week of Arthur Townshend's visit) he stood in a discouraged mood looking at his work. As a rule moods troubled Stewart Stevenson but little; he was an artist without the artistic temperament. He had his light to follow and he followed it, feeling no need for eccentricity in the way of hair or collars or conduct. He was as placid and regular as one of his father's "time-pieces" which ticked off the flying minutes in the decorous, well-dusted rooms of "Lochnagar." His mother summed him up very well when she confessed to strangers her son's profession. "Stewart's a Nartist," she would say half proud, half deprecating, "but you'd niver know it." Poor lady, she had a horror of artist-life as it was revealed to her in the pages of the Heart's Ease Library. Sometimes dreadful qualms would seize her in the night watches, and she would waken her husband to ask if he thought there was any fear of Stewart being Led Away, and was only partially reassured by his sleepy grunts in the negative. "What's Art?" she often asked herself, with a nightmare vision in her mind of ladies lightly clad capering with masked gentlemen at some studio orgy--"What's Art compared with Respectability?" though anyone more morbidly respectable and less likely to caper with females than her son Stewart could hardly be imagined, and her mind might have been in a state of perfect peace concerning him. He went to his studio as regularly as his father went to the Ham and Butter place, and both worked solidly through the hours.