The Seven Cardinal Sins: Envy and IndolenceSue, Eugène
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The Seven Cardinal Sins: Envy and Indolence
Sue, Eugène
French fiction -- Translations into English
She, knowing the door was locked, at first felt assured, but soon,
reflecting that if she did not open the door to her husband, he might
in his brutal violence make a loud noise, or perhaps break the door, and
by this uproar waken her son and call David down-stairs, and thus bring
about a collision, the possible consequences of which filled her with
alarm, she decided to open the door. Then, remembering that her son was
in the next chamber, and that but a few minutes before all her maternal
authority and tenderness were required to prevent an expression of his
indignation against Jacques Bastien, she recalled his bitter words, and
the resolution with which he uttered them:
"To make an attempt on our happiness, would be to attempt your life,
mother, and your life I will defend even against my father."
Marie felt that no human power, not even her own, could prevent
Frederick's interposition this time, if Jacques Bastien, intoxicated as
in all probability he was, should enter her chamber, and attack her with
invective and threatening.
The alternative was terrible.
Not to open the door would be to expose herself to a deplorable scandal.
To open it was to set the son and father face to face, one drunk with
anger and wine, the other exasperated by the sense of his mother's
wrongs.
These reflections, as rapid as thought, Marie had scarcely ended, when
she heard Jacques Bastien, who had found the key, turn it in the lock
and, finding an obstacle inside, shake the door violently.
Then Marie took a desperate resolution; she ran to the door, removed the
bolt, and standing on the threshold as if to forbid entrance to Jacques
Bastien, she said to him in a low, supplicating voice:
"My son is sleeping, monsieur; if you have something to say to me, come,
I beseech you, in the library."
The unhappy woman paused a moment.
Her courage failed her, so terrible was the expression of Bastien's
countenance.
The rays of the lamp placed upon the chimneypiece in Marie's bedchamber
shone full upon the face of M. Bastien, which, thus brilliantly lighted,
seemed to glare upon the darkness of the corridor.
This man, who had the breadth of Hercules, was now frightfully pale in
consequence of the reaction of long continued drink and anger. He was
about half drunk; his coarse, thick hair fell low on his forehead and
almost concealed his little, wicked gray eyes. His bull-like neck was
naked and his blouse open, as well as his great coat and vest, exposing
a part of a powerful and hairy chest.
At the sight of this man, Marie, as we have said, felt for a moment her
courage give way.
Public-domain text, read in full here on John Shaqi.
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