The Seven Cardinal Sins: Envy and IndolenceSue, Eugène
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The Seven Cardinal Sins: Envy and Indolence
Sue, Eugène
French fiction -- Translations into English
Marguerite, after having conducted David to the garden gate, came to get
the lamp that she had left on the threshold of the door, sheltered by
the rustic porch.
As she stooped to take up the lamp she saw, half hidden by the snow, a
neckerchief of orange silk belonging to Madame Bastien, and almost in
the same spot she found a little slipper of red morocco encrusted, so to
speak, in the snow hardened by the ice.
More and more surprised, and wondering how these articles, which
evidently belonged to her mistress, came to be there, Marguerite, struck
with a sudden idea, picked up the neckerchief and the slipper, then,
with the aid of her lamp, she examined attentively the pavement of the
corridor.
There she recognised the recent imprint of snow-covered feet, so that
in following this trace of Madame Bastien's little feet she noticed the
last tracks at the door of her mistress. Suddenly Marguerite recollected
that when she had assisted her mistress, overcome by the cold, to get in
bed, it had not been unmade; other circumstances corroborated these
observations, and the servant, terrified at the discovery she had just
made, entered Madame Bastien's chamber, where Frederick was sitting near
his mother.
* * * * *
An hour and a quarter after David's departure a cabriolet with two
horses white with foam and marked with the postilion's whip stopped at
the door of the farm.
David and Doctor Dufour descended from this carriage.
CHAPTER XXXIX.
About three hours had passed since the doctor had arrived at the farm.
David, discreetly withdrawn into the library, waited with mortal anxiety
the news of Madame Bastien, with whom the doctor and Frederick remained.
Once only, David, standing in the door of the library, and seeing
Marguerite rapidly passing, as she came from the chamber of her
mistress, called, in a low voice:
"Ah, well, Marguerite?"
"Ah, M. David!" was the only reply of the weeping woman, who passed on
without stopping.
"She is dying," said David, returning to the library.
And pale, his features distorted, his heart broken, he threw himself in
an armchair, hid his face in his hands, and burst into tears, vainly
trying to suppress his sobs.
"I have realised the despair of this restrained, hidden, impossible
love," murmured he. "I thought I had suffered cruelly,--what is it to
suffer derision compared to the fear of losing Marie? To lose her,--she
to die--no, no! oh, but I will at least see her!"
And almost crazed with grief, David rushed across the room, but he
stopped at the door.
"She is dying, perhaps, and I have no right to assist at her agony. What
am I here? A stranger. Let me listen--nothing--nothing--the silence of
the tomb. My God! in this chamber, where she perhaps is in the agony of
death, what is happening? Ah, some one is coming out. It is Pierre."
And David, taking one step into the corridor, saw in the twilight of the
dark passage, the doctor coming out of Marie's chamber.
Public-domain text, read in full here on John Shaqi.
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