The Seven Cardinal Sins: Envy and IndolenceSue, Eugène
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The Seven Cardinal Sins: Envy and Indolence
Sue, Eugène
French fiction -- Translations into English
"And it never leaves me, even for an instant," replied the unfortunate
woman, bursting into tears; "and yet I am obliged to conceal it in his
presence, for whenever he sees me sad or preoccupied, he says to me,
with that tender, gracious smile of his:
"'Why this sadness, my dear Valentine? Are we not young, and do we not
love each other? Let us think only of our happiness. I love you as much
as it is possible for me to love any one, so take me as I am, and if I
have displeased you in any way, or if I no longer please you, leave me,
find some one who suits you better, and let us remain friends only. In
my opinion, love should be only joy and felicity, tenderness and repose.
It should be like a beautiful lake, clear and calm, reflecting only the
pleasant things of life. Why cast a gloom over it by useless anxiety?
Let us enjoy our youth in peace, my angel! The person who has known
during his whole life ten days of perfect, radiant happiness, should be
content to thank God and die. We have had a hundred and more of such
days, my Valentine, and whether we enjoy more of them depends only upon
yourself, for I adore you. Am I not too indolent to be inconstant?'"
"Yes," added Valentine, with increasing earnestness, "yes, that is the
way in which Michel regards love. Those alternations of hope and fear,
the vague unrest, the foolish, but no less terrible fits of jealousy
that lacerate one's heart, only excite Michel's derision. His
indolence--I can not say his indifference, for, after all, he loves me
as much as he can love any one, as he says himself--irritates me and
makes my blood fairly boil sometimes; but I restrain myself, because, in
spite of myself, I adore him just as he is. Nor is this all. Michel
never seems to have the slightest suspicion of the remorse and anxiety
and fears that assail me every day, for in order that I may be able to
spend several hours and sometimes even an entire day with him, I am
obliged to tell falsehood after falsehood, to place myself almost at the
mercy of my servants, and to devise new pretexts for my frequent
absences. And when I return, ah, Florence, when I return,--if you knew
what a terrible load I have on my heart when, after a long absence, I
place my hand on the knocker, saying to myself all the while, 'What if
everything has been discovered!' And when I find myself face to face
with my husband, I am even more miserable. To meet his gaze, to try to
discover if he has the slightest suspicion of the truth, to tremble
inwardly at his most trivial question, to appear calm and indifferent
when I am half crazed with fear and anxiety,--all this is torture. And
to add to my misery and degradation, I must be assiduous in my
attentions to a husband I loathe; I must even stoop to flattery to keep
him in good humour, so terribly am I afraid of him, and so eager am I to
drive away his suspicions by a bright and cheerful manner. Sometimes,
Florence, I must even be gay, do you hear me? Gay, when I have death in
my soul.
Public-domain text, read in full here on John Shaqi.
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