The Seven Cardinal Sins: Envy and IndolenceSue, Eugène
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The Seven Cardinal Sins: Envy and Indolence
Sue, Eugène
French fiction -- Translations into English
The young woman listened to her companion with profound astonishment,
for, when he spoke of himself, it seemed as if he must also be speaking
of her, so identical had been their experience; but the reserve which
she must necessarily display in her intercourse with a comparative
stranger, prevented any such admission on her part; so, quite as much to
conceal her real feelings as to gratify her growing curiosity, she
remarked:
"You speak of mingled aversion and love, monsieur. How can one both love
and hate the same person or thing? Is such a strange contradiction
possible?"
"Ah, madame, is not the human heart the greatest of mysteries,--the
strangest of enigmas? Ever since the world began, the inexplicable
attraction which opposites have for each other has been admitted. How
often we see a person who is weak admire one who is strong, and one who
is violent and impetuous seek out one who is gentle and timid! What is
the cause of this? Is it the desire for a contrast? Or, is it the charm
of overcoming a certain difficulty? Nobody knows. The fact remains that
persons whose characters are diametrically opposed to our own exercise
an inexplicable attraction over us,--inexplicable, yes; for we curse
them, we pity them, we despise them, and we hate them; and yet, we can
not do without them; or, if they escape us, we regret them as much as we
hate them, and forthwith begin to dream of the impossible, that is to
say, of acquiring sufficient influence over them to transform them, to
imbue them with our own ideas and tastes. Dreams, idle dreams these are,
of course, which only serve to make us forget the sad reality for a
brief time."
"I, too, have often heard of these strange contradictions. They are the
more incomprehensible to me, as the only chance of happiness seems to me
to consist in perfect congeniality of temperament."
The young woman paused suddenly, and blushed, deeply regretting words
which might be construed as an advance made to a comparative stranger
(though this had really been furthest from her thoughts), especially
after both she and he had commented on the remarkable similarity in
their tastes. But this fear on her part was entirely unnecessary, as the
turn the conversation had taken seemed to have plunged her companion
into a profound reverie.
A few minutes afterwards, the carriage stopped at the corner of the Rue
de Rivoli, and the driver got down from the box to open the door.
"What! are we here already?" exclaimed the stranger, arousing himself;
then, motioning the coachman to close the door again, he said:
"I sincerely hope you will pardon me for having made such poor use of
the last few minutes of the interview you have been kind enough to grant
me, but I yielded almost unconsciously to the influence of certain
memories. You will not refuse, I trust, to indemnify me by permitting
me to see you again, and to have the honour of calling on you at your
own home."
Public-domain text, read in full here on John Shaqi.
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