The Seven Cardinal Sins: Envy and IndolenceSue, Eugène
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The Seven Cardinal Sins: Envy and Indolence
Sue, Eugène
French fiction -- Translations into English
In spite of this uncongenial employment, pursued amid such uncomfortable
surroundings, Michel's face was serene, even happy; but when the clock
in a neighbouring church rang out the third quarter of an hour, it was
with the smiling, affectionate expression of a person who is about to
bid a dear friend good morning that the young man rose from the table
and, hastening towards the fireplace, rapped twice with the handle of
his pocket-knife upon the party wall that separated the house in which
he lived from the adjoining house.
Two similar raps answered him almost instantly, and Michel smiled with a
satisfied air, as if the most agreeable remark conceivable had been
addressed to him. He was preparing to reply, doubtless, in fact he had
already lifted the handle of his knife for that purpose, when a faint,
almost mysterious knock, followed by two louder ones, reached his ear.
Michel's face flushed, and his eyes brightened. One would have supposed
that he had received a favour as precious as it was unexpected, and it
was with an expression of intense gratitude that he replied with a
series of quick, irregular raps, as hurried and feverish as the violent
throbbings of his own heart.
This rapping would doubtless have been prolonged several seconds with
ever increasing ardour, if it had not been suddenly checked by a single
incisive knock which resounded from the other side of the wall like an
imperative command. Michel obeyed this order respectfully, and
immediately suspended his rather too lively manifestation of delight.
A moment afterwards, four slow, distinct knocks, prolonged like the
striking of a clock, coming from the other side of the wall, put an end
to this singular conversation quite worthy of a lodge of freemasons.
"She is right," murmured Michel. "It is almost four o'clock."
And he immediately set to work to arrange his books and put his room in
order before leaving it for the day.
While he is engaged in these preparations for departure we will conduct
the reader up to the fourth floor of the adjoining house,--Number
59,--and into the apartment of Madame de Luceval, separated, as we have
before remarked, from that of Michel Renaud by a party wall.
That young lady is now about twenty-one years of age, and as charming as
ever, though not quite as stout. She, too, like her neighbour, was
busily engaged in her preparations for departure.
A lamp, like that used by engravers who work at night, stood on a large
table strewn with several partially coloured lithographs, boxes of
water-colour paints, pieces of embroidery and tapestry work, and a
number of those music-books into which orchestral scores are copied.
Several of these last were already filled. The plainly furnished room
was exquisitely neat, and Florence's hat and cloak were already laid out
on the carefully made bed.
Public-domain text, read in full here on John Shaqi.
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