The Seven ConundrumsOppenheim, E. Phillips (Edward Phillips)
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The Seven Conundrums
Oppenheim, E. Phillips (Edward Phillips)
Detective and mystery stories, English; English fiction -- 20th century
The Duke interrupted me with a slight exclamation and a little wave of
the hand.
"I never dreamed that you were such an old woman, Lister," he said. "I
am much obliged to you for your warning," he added, with some return of
his old courtesy. "As it happens, however, I was already aware that this
man was not Faraday himself, and I fancy that my precautions for
guarding the Lorringham treasures are adequate."
The Princess leaned a little forward. I sympathised with the Duke. In
this faint, enchanting light, she was ravishingly beautiful.
"Do not be too confident, dear host," she murmured. "If women were only
made of sterner stuff, a lock has never been fashioned which could keep
a pearl lover from your jewel chamber."
The Duke smiled.
"Nevertheless," he added, turning to me with a friendly gesture of
dismissal, "you may sleep soundly to-night and as many nights as you
remain under my roof. The spells are not yet woven which could charm
those jewels from their cases."
I made my way back to the Castle, a little confused. There seemed to be
in the Duke's last words a subtle behest to me, a warning not to concern
myself further in his affairs. And from three to six on this coming
morning, Edwards was guard of the chamber, and my rôle of watcher was
already established.
It must have been within a few seconds of the chiming of a quarter past
three, that the intense silence of the gallery, into which I had found
my way without difficulty, was broken in even the slightest degree.
Opposite where I crouched, in a high-backed chair, with a glass of cold
water by his side, sat the custodian of the jewel chamber. A little to
the right was the narrow passage leading to the Duke's apartments. Two
electric lights were burning, and through one of the windows came pale
splashes of faint moonlight. The effect was a weird and confusing
illumination which made it hard to recognise even the simplest objects.
The armoured figures cast fantastic shadows across the floor, the
outline of the watching man seemed distorted and unreal, and the whole
setting of the little scene was unnatural, a stimulus to nervous
imagination. For this very reason I covered my eyes and looked again for
a moment at the apparition which at first presented every semblance of
the impossible. The second time I knew that I had not been deceived--I
knew that something was happening.
Public-domain text, read in full here on John Shaqi.
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