The tablets of the Chaldaeans are among the most remarkable of their remains, and will probably one day throw great additional light on the manners and customs, the religion, and even, perhaps, the science and learning, of the people. They are small pieces of clay, somewhat rudely shaped into a form resembling a pillow, and thickly inscribed with cuneiform characters, which are sometimes accompanied by impressions of the cylindrical seals so common in the museums of Europe. The seals are rolled across the body of the document, as in the accompanying figure. [PLATE VII., Fig. 2.] Except where these impressions occur, the clay is commonly covered on both sides with minute writing. What is most curious, however, is that the documents thus duly attested have in general been enveloped, after they were baked, in a cover of moist clay, upon which their contents have been again inscribed, so as to present externally a duplicate of the writing within; and the tablet in its cover has then been baked afresh. That this was the process employed is evident from the fact that the inner side of the envelope bears a cast, in relief, of the inscription beneath it. Probably the object in view was greater security--that if the external cover became illegible, or was tampered with, there might be a means of proving beyond a doubt what the document actually contained. The tablets in question have in a considerable number of cases been deciphered; they are for the most part deeds, contracts, or engagements, entered into by private persons and preserved among the archives of families. Besides their writings on clay, the Chaldaeans were in the habit, from very early times, of engraving inscriptions on gems. The signet cylinder of a very ancient king exhibits that archaic formation of letters which has been already noted as appearing upon some of the earliest bricks. [PLATE VII., Fig. 3.] That it belongs to the same period is evident, not only from the resemblance of the literal type, but from the fact that the same king’s name appears upon both. This signet inscription--so far as it has been hitherto deciphered--is read as follows:--“The signet of Urukh, the pious chief, king of Ur, . . . . High-Priest (?) of . . . . Niffer.” Another similar relic, belonging to a son of this monarch, has the inscription, “To the manifestation of Nergal, king of Bit-Zida, of Zurgulla, for the saving of the life of Ilgi, the powerful hero, the king of Ur, . . . . son of Urukh . . . . May his name be preserved.” A third signet, which belongs to a later king in the series, bears the following legend: “--_sin, the powerful chief, the king of Ur, the king of the Kiprat-arbat (or four races) . . . . his seal.” The cylinders, however, of this period are more usually without inscriptions, being often plain, and often engraved with figures, but without a legend. CHAPTER V. ARTS AND SCIENCES.