The Seven Great Monarchies Of The Ancient Eastern World, Vol 2: Assyria: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.Rawlinson, George
History
The Seven Great Monarchies Of The Ancient Eastern World, Vol 2: Assyria: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.
colors, a warm yellow, and a cold bluish green. The green predominates
in the upper, the yellow in the under portion; but there is a certain
amount of blending or mottling in the mid-region, which has a very
pleasant effect. A similarly mottled character is presented by two other
amphorae from the same place, where the general hue is a yellow which
varies in intensity, and the mottling is with a violet blue. In some
cases the colors are not blended, but sharply defined by lines, as in a
curious spouted cup figured by Mr. Layard, and in several fragmentary
specimens. Painted patterns are not uncommon upon the glazed pottery,
though upon the unglazed they are scarcely ever found. The most usual
colors are blue, yellow, and white; brown, purple, and lilac have been
met with occasionally. These colors are thought to be derived chiefly
from metallic oxides, over which was laid as a glazing a vitreous
silicated substance. On the whole, porcelain of this fine kind is rare
in the Assyrian remains, and must be regarded as a material that was
precious and used by few.
[Illustration: PLATE 83]
Assyrian glass is among the most beautiful of the objects which have
been exhumed. M. Botta compared it to certain fabrics of Venice and
Bohemia, into which a number sit different colors are artificially
introduced. But a careful analysis has shown that the lovely prismatic
hues which delight us in the Assyrian specimens, varying under different
lights with all the delicacy and brilliancy of the opal, are due, not to
art, but to the wonder-working hand of time, which, as it destroys the
fabric, compassionately invests it with additional grace and beauty.
Assyrian glass was either transparent or stained with a single uniform
color. It was composed, in the usual way, by a mixture of sand or silex
with alkalis, and, like the Egyptian, appears to have been first rudely
fashioned into shape by the blowpipe. It was then more carefully shaped,
and, where necessary, hollowed out by a turning machine, the Marks of
which are sometimes still visible. The principal specimens which have
been discovered are small bottles and bowls, the former not more than
three or four inches high, the latter from four to five inches in
diameter, [PLATE LXXXIII., Fig. 4.] The vessels are occasionally
inscribed with the name of a king, as is the case in the famous vase of
Sargon, found by Mr. Layard at Nimrud, which is here figured. [PLATE
LXXXIII., Fig. 2.] This is the earliest known specimen of _transparent
glass_, which is not found in Egypt until the time of the Psammetichi.
The Assyrians used also opaque glass, which they colored, sometimes red,
with the suboxide of copper, sometimes white, sometimes of other hues.
They seem not to have been able to form masses of glass of any
considerable size; and thus the employment of the material must have
been limited to a few ornamental, rather than useful, purposes. A
curious specimen is that of a pipe or tube, honey-combed externally,
which Mr.
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