The Seven Great Monarchies Of The Ancient Eastern World, Vol 2: Assyria: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.Rawlinson, George
History
The Seven Great Monarchies Of The Ancient Eastern World, Vol 2: Assyria: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.
The collar is ordinarily represented as a mere broad band passing round
the neck, not of the withers (as with ourselves). but considerably
higher up, almost midway between the withers and the cheek-bone.
Sometimes it is of uniform width while often it narrows greatly as it
approaches the back of the neck. It is generally patterned, and appears
to have been a mere flat leathern band. It is impossible to say in what
exact way the pole was attached to it, though in the later sculptures we
have elaborate representations of the fastening. The earlier sculptures
seem to append to the collar one or more patterned straps, which,
passing round the horse’s belly immediately behind the fore legs, served
to keep it in place, while at the same time they were probably regarded
as ornamental; but under the later kings these belly Lands were either
reduced to a single strap, or else dispensed with altogether.
The breast-ornament consists commonly of a fringe, more or less
complicated. The simplest form, which is that of the most ancient times,
exhibits a patterned strap with a single row of long tassels pendent
from it, as in the annexed representation. At a later date we find a
double and even a triple row of tassels.
The pendent side-ornament is a very conspicuous portion of the
trappings. It is attached to the collar either by a long straight strap
or by a circular band which falls on either side of the neck. The upper
extremity is often shaped into the form of an animal’s head, below which
comes most commonly a circle or disk, ornamented with a rosette, a
Maltese cross, a winged bull, or other sacred emblem, while below the
circle hang huge tassels in a single row or smaller ones arranged in
several rows. In the sculptures of Sargon at Khorsabad, the tassels of
both the breast and side ornaments were colored, the tints being in most
cases alternately red and blue.
Occasionally the chariot-horses were covered from the ears almost to the
tail with rich cloths, magnificently embroidered over their whole
surface.’ [PLATE XCIII., Fig. 2.] These cloths encircled the neck, which
they closely fitted, and, falling on either side of the body, were then
kept in place by means of a broad strap round the rump and a girth under
the belly.
[Illustration: PLATE 93]
A simpler style of clothing chariot-horses is found towards the close of
the later period, where we observe, below the collar, a sort of triple
breastplate, and over the rest of the body a plain cloth, square cut,
with flaps descending at the arms and quarters, which is secured in its
place by three narrow straps fastened on externally. The earlier kind of
clothing has the appearance of being for ornament but this looks as if
it was meant solely for protection.
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