The Seven Great Monarchies Of The Ancient Eastern World, Vol 2: Assyria: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.Rawlinson, George
History
The Seven Great Monarchies Of The Ancient Eastern World, Vol 2: Assyria: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.
When the monarch went out to the hunt or to the battle, he laid aside
such ornaments as encumbered him, reserving however his earrings,
bracelets, and armlets, and then, stripping off his upper dress or
chasuble, appeared in the under robe which has been already described.
This robe was confined at the waist by a broad cincture or girdle,
outside of which was worn a narrowish belt wherein daggers were often
thrust. In early times this cincture seems to have been fastened by a
ribbon with long streaming ends, which are very conspicuous in the
Nimrud sculptures. At the same period the monarch often wore, when he
hunted or went out to battle, a garment which might have been called an
apron, if it had not been worn behind instead of in front. This was
generally patterned and fringed very richly, besides being ornamented
with one or more long pendent tassels. [PLATE CXIV., Fig. 4.]
The sacerdotal dress of the king, or that which he commonly wore when
engaged in the rites of his religion, differed considerably from his
ordinary costume. His inner garment, indeed, seems to have been the
usual long gown with a fringe descending to the ankles; but this was
almost entirely concealed under an ample outer robe, which was closely
wrapped round the form and kept in place by a girdle. A deep fringe,
arranged in two rows, one above the other, and carried round the robe in
curved sweeps at an angle with the horizontal line, is the most striking
feature of this dress, which is also remarkable for the manner in which
it confines and conceals the left arm, while the right is left free and
exposed to view. A representation of a king thus apparelled will be
found in an earlier part of this work, taken from a statue now in the
British Museum. It is peculiar in having the head uncovered, and in the
form of the implement borne in the right hand. It is also incomplete as
a representation, from the fact that all the front of the breast is
occupied by an inscription. Other examples show that the tiara was
commonly worn as a part of the sacerdotal costume; that the sacred
collar adorned the breast, necklaces the neck, and bracelets the two
arms; while in the belt, which was generally to some extent knotted,
were borne two or three daggers. The mace seems to have been a necessary
appendage to the costume, and was always grasped just below its head by
the left hand.
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