The Seven Great Monarchies Of The Ancient Eastern World, Vol 2: Assyria: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.Rawlinson, George
History
The Seven Great Monarchies Of The Ancient Eastern World, Vol 2: Assyria: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.
Certain peculiar head-dresses and peculiar modes of arranging the hair
deserve special attention from their singularity. [PLATE CXXXV., Fig.
4.] They belong in general to musicians, priests, and other official
personages, and may perhaps have been badges of office. For instance,
musicians sometimes wear on their heads a tall stiff cap shaped like a
fish’s tail; at other times their head-dress is a sort of tiara of
feathers.
Their hair is generally arranged in the ordinary Assyrian fashion; but
sometimes it is worn comparatively short, and terminates in a double row
of crisp curls. Priests have head-dresses shaped like truncated cones. A
cook in one instance, wears a cap not unlike the tiara of the monarch,
except that it is plain, and is not surmounted by an apex or peak. A
harper has the head covered with a close-fitting cap, encircled with a
row of large beads or pearl; from which a lappet depends behind,
similarly ornamented. A colossal figure in a doorway, apparently a man,
though possibly representing a god, has the hair arranged in six
monstrous curls, the lowest three resting upon the shoulder. [PLATE
CXXXV., Fig. 6.]
Women of the better sort seem to have been dressed in sleeved gowns,
less scanty than those of the men, and either striped or else patterned
and fringed. Outside this they sometimes wore a short cloak of the same
pattern as the gown, open in front and falling over the arms, which it
covered nearly to the elbows. Their hair was either arranged over the
whole of the head in short crisp curls, or carried back in waves to the
ears, and then in part twisted into long pendent ringlets, in part
curled, like that of the men, in three or four rows at the back of the
neck. [PLATE CXXXV., Fig. 5.] A girdle was probably worn round the
waist, such as we see in the representations of goddesses, while a
fringed cross-belt passed diagonally across the breast, being carried
under the right arm and over the left shoulder. The feet seem to have
been naked, or at best protected by a sandal. The head was sometimes
encircled with a fillet.
[Illustration: PLATE 136]
Women thus apparelled are either represented as sitting in chairs and
drinking from a shallow cup, or else as gathering grapes, which, instead
of growing naturally, hang up on branches that issue from a winged
circle. The circle would seem to be emblematic of the divine power which
bestows the fruits of the earth upon man. [PLATE CXXXVI., Fig. 1.]
The lower class of Assyrian women are not represented upon the
sculptures. We may perhaps presume that they did not dress very
differently from the female captives so frequent on the bas-reliefs,
whose ordinary costume is a short gown not covering the ankles, and an
outer garment somewhat resembling the chasuble of the king. The head of
these women is often covered with a hood where the hair appears, it
usually descends in a single long curl. The feet are in every case
naked.
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