The Seven Great Monarchies Of The Ancient Eastern World, Vol 2: Assyria: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.Rawlinson, George
History
The Seven Great Monarchies Of The Ancient Eastern World, Vol 2: Assyria: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.
designed further to weaken those enemies by depriving them of their
celestial protectors; and it may even have been viewed as strengthening
of the conqueror by multiplying his divine guardians. It was certainly
usual to remove the images in a reverential manner; and it was the
custom to deposit them in some of the principal temples of Assyria. We
may presume that there lay at the root of this practice a real belief in
the super-natural power of the in images themselves, and a notion that,
with the possession of the images, this power likewise changed sides and
passed over from the conquered to the conquerors.
Assyrian idols were in stone, baked clay, or metal. Some images of Nebo
and of Ishtar have been obtained from the ruins. Those of Nebo are
standing figures, of a larger size than the human, though not greatly
exceeding it. They have been much injured by time, and it is difficult
to pronounce decidedly on their original workmanship: but, judging by
what appears, it would seem to have been of a ruder and coarser
character than that of the slabs or of the royal statues. The Nebo
images are heavy, formal, inexpressive, and not over well-proportioned;
but they are not wanting in a certain quiet dignity which impresses the
beholder. They are unfortunately disfigured, like so many of the lions
and bulls, by several lines of cuneiform writing inscribed round their
bodies; but this artistic defect is pardoned by the antiquarian, who
learns from the inscribed lines the fact that the statues represent
Nebo, and the time and circumstances of their dedication.
Clay idols are very frequent. They are generally in a good material, and
are of various sizes, yet never approaching to the full stature of
humanity. Generally they are mere statuettes, less than a foot in
height. Specimens have been selected for representation in the preceding
volume, from which a general idea of their character is obtainable. They
are, like the stone idols, formal and inexpressive in style, while they
are even ruder and coarser than those figures in workmanship. We must
regard them as intended chiefly for private use among the mass of the
population, while we must view the stone idols as the objects of public
worship in the shrines and temples.
Idols in metal have not hitherto appeared among the objects recovered
from the Assyrian cities. We may conclude, however, from the passage of
Nahum prefixed to this chapter, as well as from general probability,
that they were known and used by the Assyrians, who seem to have even
admitted them--no less than stone statues--into their temples. The
ordinary metal used was no doubt bronze; but in Assyria, as in
Babylonia, silver, and perhaps in some few instances gold, may have been
employed for idols, in cases where they were intended as proofs to the
world at large of the wealth and magnificence of a monarch.
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