The Seven Great Monarchies Of The Ancient Eastern World, Vol 5: Persia: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.Rawlinson, George
History
The Seven Great Monarchies Of The Ancient Eastern World, Vol 5: Persia: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.
The purely animal representations which the bas-reliefs bring before us
are few in number, and have little variety of type. The most curious and
the most artistic is one which is several times repeated at Persepolis,
where it forms the usual ornamentation of the triangular spaces on the
facades of stairs. This is a representation of a combat between a lion
and a bull, or (perhaps, we should rather say) a representation of a
lion seizing and devouring a bull; for the latter animal is evidently
powerless to offer any resistance to the fierce beast which has sprung
upon him from behind, and has fixed both fangs and claws in his body.
[PLATE LVI., Fig. 4.] In his agony the bull rears up his fore-parts, and
turns his head feebly towards his assailant, whose strong limbs and jaws
have too firm a hold to be dislodged by such struggles as his unhappy
victim is capable of making. In no Assyrian drawing is the massiveness
and strength of the king of beasts more powerfully rendered than in
this favorite group, which the Persian sculptors repeated without the
slightest change from generation to generation. The contour of the lion,
his vast muscular development, and his fierce countenance are really
admirable, and the bold presentation of the face in full, instead of in
profile, is beyond the ordinary powers of Oriental artists.
Drawings of bulls and lions in rows, where each animal is the exact
counterpart of all the others, are found upon the friezes of some of the
tombs, and upon the representations of canopies over the royal throne.
These drawings are fairly spirited, but have not any extraordinary
merit. They reproduce forms well known in Assyria. A figure of a sitting
lion seems also to have been introduced occasionally on the facades of
staircases, occurring in the central compartment of the parapet-wall at
top. These figures, in no case, remain complete; but enough is left
to show distinctly what the attitude was, and this appears not to have
resembled very closely any common Assyrian type. [PLATE LVII., Fig. 1.]
[Illustration: PLATE LVII.]
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