The Seven Great Monarchies Of The Ancient Eastern World, Vol 5: Persia: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.Rawlinson, George
History
The Seven Great Monarchies Of The Ancient Eastern World, Vol 5: Persia: The History, Geography, And Antiquities Of Chaldaea, Assyria, Babylon, Media, Persia, Parthia, And Sassanian or New Persian Empire; With Maps and Illustrations.
Persian coins are of three principal types. The earliest have on the one
side the figure of a monarch bearing the diadem and armed with the bow
and javelin, while on the other there is an irregular indentation of the
same nature with the _quadratum incusum_ of the Greeks. This rude form
is replaced in later times by a second design, which is sometimes a
horseman, sometimes the forepart of a ship, sometimes the king drawing
an an arrow from his quiver. Another type exhibits on the obverse the
monarch in combat with a lion while the reverse shows a galley, or a
towered and battlemented city with two lions standing below it, back to
back. The third common type has on the obverse the king in his chariot,
with his charioteer in front of him, and (generally) an attendant
carrying a fly-chaser behind. The reverse has either the trireme or the
battlemented city. A specimen of each type is given. [PLATE LVII., Fig.
4.]
The artistic merit of these medals is not great. The relief is low,
and the drawing generally somewhat rude. The head of the monarch in the
early coins is greatly too large. The animal forms are, however, much
superior to the human, and the horses which draw the royal chariot, the
lions placed below the battlemented city, and the bulls which are found
occasionally in the same position, must be pronounced truthful and
spirited.
Of the Persian taste in furniture, utensils, personal ornaments and the
like, we need say but little. The throne and footstool of the monarch
are the only pieces of furniture represented in the sculptures,
and these, though sufficiently elegant in their forms, are not very
remarkable. Costliness of material seems to have been more prized than
beauty of shape; and variety appears to have been carefully eschewed,
one single uniform type of each article occurring in all the
representations. The utensils represented are likewise few in number,
and limited to certain constantly repeated forms. The most elaborate is
the censer, which has been already given. With this is usually seen
a sort of pail or basket, shaped like a lady’s reticule, in which the
aromatic gums for burning were probably kept. [PLATE LVIII., Fig. 5.]
A covered dish, and a goblet with an inverted saucer over it, are also
forms of frequent occurrence in the hands of the royal attendants; and
the tribute-bearers frequently carry, among their other offerings, bowls
or basons, which, though not of Persian manufacture, were no doubt left
at the court, and took their place among the utensils of the palace.
[PLATE LVIII., Figs. 2 and 3.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account