The ornamental coffins were of a coarse glazed earthenware, bluish-green in hue, and belonged to the kind which has been called “slipper-shaped.” [PLATE VI. Fig. 1.] They varied in length from three feet to six, and had a large aperture at their upper end, by means of which the body was placed in them, and a flat lid to close this aperture, ornamented like the coffin, and fixed in its place by a fine lime cement. A second aperture at the lower extremity of the coffin allowed for the escape of the gases disengaged during decomposition. The ornamentation of the coffins varied, but consisted generally of small figures of men, about six or seven inches in length, the most usual figure being a warrior with his arms akimbo and his legs astride, wearing on his head a coiffure, like that which is seen on the Parthian coins, and having a sword hanging from the belt. [PLATE VI. Fig. 2.] [Illustration: PLATE 6.] Of the statuettes in terra-cotta, one of the most curious represented a Parthian warrior, recumbent, and apparently about to drink out of a cup held in the left hand. [PLATE VI. Fig. 3.] The figure was clad in a long coat of mail, with greaves on the legs and a helmet upon the head. Others represented females; these had lofty head-dresses, which sometimes rose into two peaks or horns, recalling the costume of English ladies in the time of Henry IV. These figures were veiled and carefully draped about the upper part of the person, but showed the face, and had the legs bare from the knee downwards. The jars, jugs, vases, and lamps greatly resembled those of the Assyrian and Babylonian periods, but were on the whole more elegant and artistic. The forms appended will give a tolerable idea of the general character of these vessels. [PLATE VI. Fig. 4.] They were of various sizes, and appear to have been placed in the tombs, partly as the offerings of friends and well-wishers, partly with the more superstitious object of actually supplying the deceased with the drink and light needful for him on his passage from earth to the realms of the dead. The glass bottles were, perhaps, lachrymatories. They had no peculiar characteristics, but were almost exactly similar to objects of the same kind belonging to the times of the Assyrian and Babylonian Empires. They exhibited the same lovely prismatic colors, which have been so admired in the glass of those kingdoms, an effect of decomposition, which, elsewhere generally disfiguring, in the case of this material enhances the original beauty of the object tenfold by clothing it in hues of the utmost brilliance and delicacy.