Sapor III. appears to have succeeded his brother Artaxerxes in A.D. 383, the year before the conclusion of the treaty. It is uncertain whether Artaxerxes vacated the throne by death, or was deposed in consequence of cruelties whereof he was guilty towards the priests and nobles. Tabari and Macoudi, who relate his deposition, are authors on whom much reliance cannot be placed; and the cruelties reported accord but ill with the epithets of “the Beneficent” and “the Virtuous,” assigned to this monarch by others. Perhaps it is most probable that he held the throne till his death, according to the statements of Agathias and Eutychius. Of Sapor III., his brother and successor, two facts only are recorded--his conclusion of the treaty with the Romans in A.D. 384, and his war with the Arabs of the tribe of Yad, which must have followed shortly afterwards. It must have been in consequence of his contest with the latter, whom he attacked in their own country, that he received from his countrymen the appellation of “the Warlike,” an appellation better deserved by either of the other monarchs who had borne the same name. Sapor III. left behind him a sculptured memorial, which is still to be seen in the vicinity of Kermanshah. [PLATE XX.] It consists of two very similar figures, looking towards each other, and standing in an arched frame. On either side of the figures are inscriptions in the Old Pehlevi character, whereby we are enabled to identify the individuals represented with the second and the third Sapor. The inscriptions run thus:--_“Pathkell zani mazdisn shahia Shahpuhri, malkan malJca Allan ve Anilan, minuchitli min yazdan, bari mazdisn shahia Auhr-mazdi, malkan malka Allan ve Anilan, minuchitli min yazdan, napi shahia Narshehi malkan malka;”_ and _“Pathkeli mazdisn shahia Shahpuhri, malkan mallca Allan ve Anilan, minuchitli min yazdan, bari mazdisn shahia Shahpuhri, malkan malka Allan ve Anilan, minuchitli min yazdan, napi shahia Auhrmazdi, malkan malka.”_ They are, it will be seen, identical in form, with the exception that the names in the right-hand inscription are “Sapor, Hormisdas, Narses,” while those in the left-hand one are “Sapor, Sapor, Hormisdas.” It has been supposed that the right-hand figure was erected by Sapor II., and the other afterwards added by Sapor III.; but the unity of the whole sculpture, and its inclusion under a single arch, seem to indicate that it was set up by a single sovereign, and was the fruit of a single conception. If this be so, we must necessarily ascribe it to the later of the two monarchs commemorated, i.e. to Sapor III., who must be supposed to have possessed more than usual filial piety, since the commemoration of their predecessors upon the throne is very rare among the Sassanians. [Illustration: PLATE 20]