The Seven Sisters of Sleep: Popular History of the Seven Prevailing Narcotics of the WorldCooke, M. C. (Mordecai Cubitt)
History
The Seven Sisters of Sleep: Popular History of the Seven Prevailing Narcotics of the World
Cooke, M. C. (Mordecai Cubitt)
Drug abuse; Narcotics; Psychotropic drugs; Psychotropic plants; Tobacco use
Boxes of very rude construction are made in France and Germany from
birch bark, and sold in the streets of Paris and other continental
cities, for about one halfpenny each. These have lately been seen in
the shops of London tobacconists, under the name of “German boxes,”
at about three times the above price. They are used abroad either for
tobacco or snuff. Boxes are also made of horn, either black buffalo or
transparent pressed horn—the latter at a much cheaper rate than the
former. St. Helena contributed to the Great Exhibition snuff-boxes made
from the willow under which the remains of Napoleon reposed, until
their removal to France, and also from a willow planted by him at
Longwood. Van Dieman’s Land contributed a box made from the tooth of
the Sperm whale, as well as boxes from several native woods.
The Scotch snuff-boxes are justly celebrated for the perfection of
their hinge, and close fitting cover. They were originally made at
Lawrencekirk, but the manufacture has now spread to various parts of
Scotland. The wood employed principally in the manufacture of these
boxes is the sycamore (or plane of the Scotch). Mr. W. Chambers states,
“that from a rough block of this wood, worth twenty-five shillings,
snuff-boxes may be made to the value of three thousand pounds.”
The _modus operandi_ in making these boxes is described as follows:—The
box is made from a solid block of wood; the first operation consists
in making a number of circular excavations in close contiguity to each
other, by means of a centre-bit, or a drill running in a lathe; the
interior is then squared out by means of gouges and chisels, and is
afterwards smoothed with files and glass-paper. The celebrated hinge
is formed partly out of the substance of the box, and partly out of
that of the lid, the greatest attention being paid in its construction
to the accurate fitting of the various parts one into the other.
The box is lined in the inside with stout tin-foil, and is painted
on the outside with several coats of colour, each of which is rubbed
down smooth with glass-paper before the succeeding coat is applied.
It is then ready to receive the various styles of ornament, which, in
some cases, are produced by the hand of the artist, and in others by
mechanical means. The most usual decoration consists of the tartan
patterns, the component lines of which are drawn separately, by pens
fixed in a ruling machine, on to the box itself, if bounded by planes
or slightly curved surfaces; although such lines were also formerly
drawn by means of a rose engine on circular boxes, it is now found
a more convenient practice to rule the lines on paper, and then to
attach the paper to the boxes. Another style of ornamentation, known
as the Scoto-Russian, is of more recent introduction, and imitates,
in a remote degree, the beautiful enamelled silver snuff-boxes for
which Russia has long been famous. In these, the outside of the box is
Public-domain text, read in full here on John Shaqi.
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