The seventh shot : $b A detective storyLandon, Herman
General
The seventh shot : $b A detective story
Landon, Herman
Actors -- Fiction; Detective and mystery stories; Murder -- Investigation -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
Then this _was_ the girl who had been playing in the riding act with
Mortimer when Dukane came upon him first. Now, if by any chance Jim
could connect that girl with Wrenn’s disagreeable daughter, whom Miss
Templeton remembered! He was eager for a sight of her. Would that
rather dim snapshot he had seen prove sufficient to identify her?
He wondered! None of these pictures looked particularly like that
nondescript smudge of a woman in the corner of the kodak picture which
had been shown him that day.
He examined them with close interest. One was of Rita the Daredevil,
sitting a vicious-looking, rearing broncho, with a nonchalant air,
and huge, ornamental spurs; another was of Rita the Daredevil firing
with a rifle at an apple held up by a fat man in evening clothes. The
third was, presumably, a likeness of Rita the Daredevil herself, doing
nothing in particular but scowl at the world from beneath a picturesque
sombrero.
She certainly looked disagreeable enough to justify Grace Templeton’s
unpleasant recollection of her. Of a markedly Spanish type, with the
faint Indian cast which is so prevalent in South America, she was in
no sense beguiling or prepossessing. It would be hard to vision those
glowering black eyes soft with any tender emotion; her mouth was as
hard and as bitter in line as that of some fierce yet stoical young
savage, brooding over a darkly glorious nightmare of revenge.
Fascinated, even while repelled, by the odd, forbidding face, Barrison
started as he was roused from his momentary trance by the cool, rapid
tones of Teddy Lucas:
“Awfully sorry if you’ve been waiting. I don’t imagine we’re late for
our act, though. Have you a cigarette? We can smoke here. Righto! Come
along!”
They went in and took the places reserved for them in a stage box. Jim
was glad to be so close to the stage; he wanted to study this woman as
minutely as he could. As they settled themselves, an attendant changed
the cards giving the names of the acts. With a real thrill Barrison saw
that they read:
“Rita the Daredevil.”
“Good stuff,” murmured Lucas critically. “They don’t say what she does,
nor what makes her a daredevil. They just say it, and wait for her to
make good. Of course, she probably won’t.”
He took the evening newspaper from under his arm, and on the margin of
the first page scribbled a short enigmatic note in pencil. On the stage
was a small table decorated with a .44 rifle and several small weapons,
a target painted in red and gold instead of black and white, and a
large mirror. Almost immediately Rita the Daredevil made her entrance.
She was dressed in the regulation “cowgirl’s” outfit—short skirt
of khaki, sombrero, heavy leather belt, high-laced brown boots,
embroidered gauntlets. As though to give a touch of daintiness to her
costume, she wore a thin white shirtwaist, and a scarlet tie. Also, the
buckle on her belt was of gold, and there was a golden ornament in the
band of her broad felt hat.
Public-domain text, read in full here on John Shaqi.
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