Notwithstanding this, down to the beginning of the nineteenth century there were not wanting, in the fashion of men’s clothing, attempts to employ certain parts of dress for the purpose of sexual stimulation. I refer in this connexion to my earlier contributions.[121] Here I shall allude only in passing to the peculiar and characteristic variations of men’s clothing in the form of marked attention drawn to the male genitals by the breeches-flap (_braguettes_); to the shoe, _à la poulaine_, which imitated the form of a male penis; to certain effeminate tendencies in the dress of man which have recurred very often since the days of the Roman Empire,[122] which are connected with the wide diffusion of homosexual tendencies, and which sometimes have given men’s dress so variegated a character, have involved such frequent changes and such occasional nudities, that at these times it could enter into competition with women’s clothing. In this respect, clothing enables us to draw conclusions not merely regarding the nature of the men who wore it, but also regarding the character of the time. There exists also the modern dandyhood, which recalls many peculiarities of earlier times; but, on the whole, fashion in men’s clothing tends to simplicity and sexual indifference. This movement originated in England, and the English fashion in men’s clothing has become dominant throughout the whole world, whereas women’s clothing now, as formerly, receives its fashionable stimulus from Paris. In addition to the indirect relations of clothing with the _vita sexualis_, which we have already described, there is a direct relationship, and this is =the effect of certain fabrics upon the skin=, from which certain associations of ideas and certain abnormal tendencies may arise. Thus, for example, the contact of woollen stuffs and of furs has a sexually stimulating influence. Ryan compared their influence with that of flagellation.[123] In this sense, also, furs and the whip go together--these two symbols of “masochism”; velvet has a similar effect. The celebrated author of “Venus im Pelz,” Leopold von Sacher-Masoch, in his well-known romance bearing this name, deals fully with the sexual significance of furs. According to him, they exert a peculiar, prickling, physical stimulus, perhaps dependent upon their being charged with electricity, and upon the warmth of their atmosphere. A woman in a fur coat is like a “great cat,[124] a powerful electric battery.” Influences of smell also appear to be associated herewith. For, in a letter to his wife, Sacher-Masoch once wrote to tell her what voluptuous pleasure it would give to him to bathe his face in the warm odour of her furs.[125] With the description of the stimulating effect of fur dependent upon sensations of contact and smell, he associated also the fact that fur gave woman a dominant, masterful, magical influence. His “Venus im Pelz” is also to him “one who commands.” Titian