If men’s clothing, as we have already said, is, in the gross, far less subject to the dominion of fashion than women’s clothing, still recently efforts have been apparent to simplify women’s clothing also, to make it independent of the caprices of fashion, and, above all, to subordinate it to hygienic principles. It is noteworthy that these efforts proceed more particularly from the leaders of the modern woman’s movement, an interesting proof of the connexion already alluded to between personality and clothing. The more differentiated and the more inwardly rich the personality, the simpler and more monotonous is the clothing. To this extent, therefore, the desire for simplification of feminine clothing is an entirely logical postulate of the emancipation of women. But this demand finds a justification also from the point of view of hygiene. This fact has been discussed especially by Paul Schultze-Naumburg in his book on “The Culture of the Feminine Body as the Basis of Women’s Clothing” (Leipzig, 1901). He insists above all on the =complete abandonment of the corset=, and of the “small waist,” and on a return of women’s clothing to the free, simple outlines of the antique. He makes, also, very noteworthy observations on the unhygienic footgear of both sexes. The idea that woman’s clothing should unconstrainedly represent the form of her body has been admirably realized in the different varieties of the so-called “=reformed dress=.” Not without influence on these deserving attempts has been the recognition of the distinguished simplicity and hygienic purposefulness of the Japanese women’s clothing. For the present, however, fashion, as of old, remains dominant, and celebrates annually its triumph in respect of new discoveries and refinements of the dress of women of the world, employing for this purpose the familiar means of accentuation and disclosure, and of coloured and ornamental stimuli. The “woman’s movement” has as yet had little ostensible and practical influence in liberating women’s dress from the all-powerful control of fashion. Now that we have considered clothing and fashion in their relations to the sexual life, and have learned to understand how they combine in action as means of sexual stimulation of a peculiar nature, we are in a position to grasp the =relations between the sense of shame and nudity=, as it presents itself to us as a =problem of modern civilization=.