In the novel “Es Geht An” Almquist advocates the thesis that true love needs no consecration by a marriage ceremony. On the contrary, a ceremony of this kind belies the very nature of marriage, for it forms and cements false unions; and any relationship concluded on the lowest grounds, if it has only been preceded by a marriage ceremony, is regarded as pure, whilst a union based upon true love without marriage is regarded as unchaste. In the sense of free love Lara Widbeck, in “Es Geht An,” arranges her own life and that of her husband Albert. Both are to be masters of their respective persons and of their respective property; they are to live for themselves, the work of each is to be pursued independently of the other, and in this way it will be possible to preserve a lifelong love, instead of seeing love transformed into lifelong indifference or hate. Even at the present day in Sweden the idea of free love is known, after this romance of Almquist’s, as the “Es-geht-an idea” and also as “briar-rose morality.” It was, above all, Ellen Key who revived Almquist’s idea, and enlarged it to the extensive programme of marriage reform in the direction of free love, which we shall consider more fully below. In his last writings Schopenhauer occupied himself at considerable length with the problems of love, but entirely from the standpoint of misogyny and of duplex sexual morality. Still, he recognized the great dangers and disasters which the traditional coercive marriage entails upon society, and rightly regarded this formal marriage as the principal source of sexual corruption. In his essay “Concerning Women” (“Parerga and Paralipomena,” vol. xi., pp. 657-659), ed. Grisebach, he writes: