"From the age of six she began to torment little Colombel. He was small
and weakly. She would lead him to the back of the park, to a place where
the chestnut-trees formed an arbour; here she would spring on his back
and make him carry her about, riding sometimes round and round for
hours. She compressed his neck, and thrust her heels into his sides, so
that he could hardly breathe. He was the horse, she was the lady on
horseback. When he was tired out, and ready to drop from exhaustion, she
would bite him till the blood flowed, and would cling to her seat so
tightly that her nails sank into his flesh. And the ride would thus
start once more. The cruel queen of six years old, borne on the back of
the little boy who served her as beast of burden, hunted thus on
horseback with her hair streaming in the wind. Afterwards, when they
were with their parents, she would pinch him secretly, and by repeated
threats would prevent him from crying or complaining. Thus in secret
they led a life of their own, very different from that which was
apparent to the eyes of others. When they were alone, she treated him as
a toy, to be broken to fragments at her pleasure, simply to see what
might be inside. Was she not the Marquise? Were not people on their
knees before her? And when she was tired of tyrannising over Colombel in
private, she would take a peculiar pleasure, when a number of others
were present, in tripping him up, or in running a pin into his arm or
leg, whilst at the same time she forbade him with a fierce glance of her
black eyes to show even by the movement of an eyelid that she was to
blame.
"Colombel bore his martyrdom with a dull resentment. Trembling, he kept
his eyes on the ground, to escape the temptation to strangle his young
mistress. And yet he did not dislike being beaten; it gave him a bitter
delight. Sometimes, even, he actually sought for a blow, awaiting the
pain with a peculiar thrill, and feeling a certain satisfaction in the
smart when she pricked him with a pin."
Public-domain text, read in full here on John Shaqi.
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