"I was eleven years old," she began, "when I led out the spinning-room in the factory up in the hills in this glorious old state. We were all a lot of children, some bigger than me, some smaller, and we worked from sun to sun. For wages, we had none, not that we ever knew, and I doubt if our fathers or mothers ever saw a penny from us, for what with the rent and the bills at the company store, it's little money they ever handled. But every morning we went into the huge building that shut out the world from us and turned our red lips white, and every night we came back, the boys too tired to throw stones at a stray hen. "Well, one day when we started work we found a new foreman. The man before him had been a decent sort of chap, rough after his fashion, pulling our ears maybe to make us work faster, or batting a boy over the head, but with a heart in his body. But this morning he was gone, and in his place a great giant of a creature named Hicks who roared at us in a voice that made our hearts jump. Not but what we was always ruled by terror. It was do as you were bid or death, and no incarnation, but forever and ever annihilation. But Hicks was the very ogre of the story book, and we expected to hear him call out any minute: "'Fee, fi, fo, fum, I smell the blood of an Irishman!" And make a pounce on one of us. And we weren't mistaken, for soon the pounce came. "It's hard work in the spinning-room and I wonder now how such children as we ever managed to do it at all. I suppose our strength and power, that ought to have gone out into lessons at school, and learning to keep house at home, and baseball and fishing and swimming, went into watching the spools as they whirled on the spindles or keeping our eyes open to catch the broken threads. How I used to see those spools, hundreds there were that I took care of, twirling around and around before my eyes when I'd lie down to go to sleep! Some of us was quicker than others, but to do the work right we needed to keep together a bit and it was when Jules Claire, a little French Canadian, got ahead of us at doffing time, that trouble began. "Jules was a born Frenchman. There was a gesture in everything he did, and he couldn't live without showing off. He was the fastest worker in the room, and when we were taking the full spools off and putting the empty ones on, one child one side the frame, the other the other, Jules must go ahead of his mate. We tried to stop him for we didn't want the foreman to think we could all work at that pace, but he was an artist and must do things his own way. So he hurries down his line, his little hands moving like lightning, and when he comes to the end, and we still plodding, he jumps on an empty truck and stamping with his bare feet, gives himself three cheers.