England -- Social life and customs -- 19th century -- Fiction
Back it came again, and dived down as before. Thomas Godolphin did not
like it, and he wished the portmanteau in his hand had been a gun. "I
wonder what good these restless night-birds do," he ejaculated, "except
to disturb from sleep any worn-out mortal who may be within hearing?"
Scenes of the recent past rose up before him: the sombre scenes in which
he had been an actor. The ominous Shadow of Ashlydyat, striking on his
sight as he turned the ash-trees, the night of his previous summons to
Broomhead: the dead face of Ethel lying on her bed; the reminiscence of
the funeral scene; of his walking away from it with the dull sound of
the earth falling on her coffin smiting his ears! None of them pleasant
things to recall at that particular hour. Why should they have come to
him?
"What business had they there at such a time?"
Drive them away he could not. But neither did he try to do so. They
served to make doubly sad, doubly ominous, his new fears for his father.
He knew how precarious was Sir George's life. What if he were then
dying! Nay, what if it were the very moment of his departure?--if he
were dead? having called upon his children; upon him, Thomas, in vain?
That odious bird once more! It flew over his head with a shriller cry
than the last. Thomas Godolphin was at that moment within a few paces of
a stile which lay in his path. He turned his head round to look after
the bird, without slackening his pace, putting out his hand before him
to feel for the stile. The hand came into contact with it, and Thomas
let it rest momentarily. His head was turned, still watching the bird,
which was then flying round and round, making fierce circlets in the
air.
But he could not stop there all night, staring at the bird, and he
turned sharply round to cross the stile. Placing one foot on its lower
rail, he----
What made Thomas Godolphin start as if he had been shot? Who and what
was that standing on the other side of the stile fixedly gazing at him?
A tall, shadowy, upright form, bearing the unmistakable features of Sir
George Godolphin.
Will you--strong, practical, unimaginative men of the world--forgive
Thomas Godolphin if in that one brief moment the wild superstitions,
instilled into his mind in childhood, were allowed their play? Forgive
him, or not, it was the fact. In imagination, only the instant before,
he had seen his father lying upon his bed, the soul parting from the
body: and Thomas Godolphin as much believed what he now saw before him
was his father's spirit, as that he, himself, was in existence. The
spirit, appearing to him at the moment of its departure. His flesh
turned cold, and dew gathered on his brow.
"My son, can it be you?"
Public-domain text, read in full here on John Shaqi.
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