England -- Social life and customs -- 19th century -- Fiction
A stylish vehicle, high enough for a fire-escape, its green wheels
picked out with gleaming red; was dashing up the streets of Prior's Ash.
A lady was seated in it, driving its pair of blood-horses, whose restive
mettle appeared more fitted for a man's guidance than a woman's. You
need not be told that it was Charlotte Pain; no one else of her sex in
Prior's Ash would have driven such a turn-out. Prior's Ash, rather at a
loss what name to give it, for the like of it had never been seen in
that sober place, christened it "Mrs. Pain's turn-out:" so, if you
grumble at the appellation, you must grumble at them, not at me.
Past the Bank it flew; when, as if a sudden thought appeared to take the
driver, it suddenly whirled round, to the imminent danger of the street
in general, retraced its steps past the Bank, dashed round the corner of
Crosse Street, and drew up at the entrance to Mr. George Godolphin's.
The servant sprang from the seat behind.
"Inquire if Mrs. George Godolphin is within."
Mrs. George Godolphin was within, and Charlotte entered. Across the
hall, up the handsome staircase lined with paintings, to the still more
handsome drawing-room, swept she, conducted by a servant. Margery looked
out at an opposite door, as Charlotte entered that of the drawing-room,
her curious eyes taking in at a glance Charlotte's attire. Charlotte
wore a handsome mauve brocaded skirt, trailing the ground at the very
least half a yard behind her, and a close habit of mauve velvet. A black
hat with a turned-up brim, and a profusion of mauve feathers, adorned
her head, and a little bit of gauze, mauve-coloured also, came half-way
down her face, fitting tightly round the nose and cheeks. At that
period, this style of dress was very uncommon.
Margery retired with a sniff. Had it been any one she approved, any
especial friend of her mistress, she would have invited her into her
mistress's presence, to the little boudoir, where Maria was seated. A
pretty boudoir, tastefully furnished. The bedroom, dressing-room, and
this boudoir communicated with each other. Being who it was, Margery
allowed the drawing-room the honour of receiving the visitor.
Maria sat at a table, her drawing materials before her. Miss Meta,
perched in a high chair, was accommodated with a pencil and paper
opposite. "It's Mrs. Pain in a mask," was Margery's salutation.
Maria laid down her pencil. "Mrs. Pain in a mask!" she echoed.
"It looks like nothing else, ma'am," responded Margery. "_I_ never saw
Christian folks make themselves into such spectacles before. It's to be
hoped she won't go in that guise to call at Ashlydyat: Miss Janet would
be sending for the mad doctor."
Maria smiled. "You never admire Mrs. Pain's style of dress, Margery."
"It's not taking," rejoined Margery. "Honest faces would as soon see
themselves standing out from a brass pan, as with one of them brazen
hats stuck upon them."
Public-domain text, read in full here on John Shaqi.
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