England -- Social life and customs -- 19th century -- Fiction
The man shook his head, wondering probably who Mr. George might be
expecting to call. "They are all alone, sir. Miss Janet has one of her
bad headaches."
George did not want to go in, Mr. Verrall not being there, and this last
item afforded him an excuse for retreating without doing so. "Then I'll
not disturb her to-night," said he. "You need not say that I came up,
Andrew."
"Very well, sir."
He quitted Andrew, and turned off to the left, deep in thought, striking
into a sheltered path. It was by no means the direct road back to the
Folly, neither was it to Prior's Ash. In point of fact, it led to
nothing but the Dark Plain and its superstition. Not a woman-servant of
Ashlydyat, perhaps not one of its men, would have gone down that path at
night: for at the other end it brought them out to the archway, before
which the Shadow was wont to show itself.
Why did George take it? He could not have told. Had he been asked why,
he might have said that one way, to a man bowed under a sharp weight of
trouble, is the same as another. True. But the path led him to no part
where he could wish to go; and he would have to make his way to Lady
Godolphin's Folly through the gorse bushes of the Dark Plain, over the
very Shadow itself. These apparently chance steps, which seem to be
taken without premeditation or guidance of ours, sometimes lead to
strange results.
George went along moodily, his hands in his pockets, his footfalls slow
and light. But for the latter fact, he might not have had the pleasure
of disturbing a certain scene that was taking place under cover of the
archway.
Were they ghosts, enacting it? Scarcely. Two forms, ghostly or human,
were there. One of them looked like a woman's. It was dressed in dark
clothes, and a dark shawl was folded over the head, not, however,
concealing the features--and they were those of Charlotte Pain. She, at
any rate, was not ghostly. The other, George took to be Mr. Verrall. He
was leaning against the brickwork, in apparently as hopeless a mood as
George himself.
They were enjoying a quarrel. Strange that they should leave the house
and come to this lonely spot in the grounds of Ashlydyat to hold it!
Charlotte was evidently in one of her tempers. She paced to and fro
under the archway, something like a restrained tiger, pouring forth a
torrent of sharp words and reproaches, all in a suppressed tone.
"I'll tell you what it is," were the first distinct words of anger
George caught. But her companion interrupted her, his tone one of
sadness and humility.
"I'll tell _you_ what it is, Charlotte----"
The start made by George Godolphin at the tones of the voice, the
involuntary sound of utter astonishment that escaped him, disturbed
them. Charlotte, with a cry of terror, darted one way, her companion
another.
Public-domain text, read in full here on John Shaqi.
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