England -- Social life and customs -- 19th century -- Fiction
It certainly was not pleasant to be startled by a faint tap at the
unscreened window, while she sat under the chandelier, busy at what she
so rarely attempted, some useless fancy-work. Yet that was the
unceremonious manner in which her husband made his return known to her.
Charlotte was expecting no visitors that night. It was the night of
George Godolphin's dinner-party, at which Mr. Verrall had _not_
appeared, having started for London instead. When the tapping came,
Charlotte turned her head towards the window in surprise. No one was in
the habit of entering that way, save free-and-easy George Godolphin; he
would now and then do so; sometimes Mr. Verrall. But Charlotte knew of
George's dinner party, and Mr. Verrall was away. She could see nothing
of the intruder: the room was ablaze with light; outside, it was,
comparatively speaking, dark; and the window was also partially shaded
by its lace curtains. Charlotte thought she must have been mistaken, and
went on unravelling her crochet mat.
The tapping came again. "Very odd!" thought Charlotte. "Come in," she
called out.
No one came in. There was no response at all for a minute or two. Then
there came another timid tapping.
Charlotte's dress was half covered with cotton. She rose, shook it, let
the cotton and the mat (what remained of it) fall to the ground, walked
to the window, and opened it.
At the first moment she could see nothing. It was bright moonlight, and
she had come from the blazing light within, beside which that outer
light was so cold and pure. Not for that reason could she see nothing,
but because there appeared to be nothing to see. She ranged her eyes in
vain over the terrace, over the still landscape beyond.
"Charlotte!"
It was the faintest possible voice, and close to her. Faint as it was
though, there was that in its tone which struck on every fibre of
Charlotte's frame with dismay. Gathered against the walls of the Folly,
making a pretence to shelter himself beyond a brilliant cape-jessamine
which was trained there, was the slight figure of a man. A mere shred of
a man, with a shrinking, attenuated frame: the frame of one who has
lived in some long agony, bodily or mental: and a white face that
shivered as he stood.
Not more white, not more shivering than Charlotte's. Her
complexion--well, you have heard of it, as one too much studied to allow
vulgar changes to come upon it, in a general way. But there are moments
in a lifetime when Nature asserts herself, and Art retires before her.
Charlotte's face turned to the hue of the dead, and Charlotte's dismay
broke forth in a low passionate wail. It was Rodolf Pain.
A moment of terrified bewilderment; a torrent of rapid words; not of
sympathy, or greeting, but of anger; and Charlotte was pushing him away
with her hands, she neither knew nor cared whither. It was dangerous for
him to be there, she said. He must go.
Public-domain text, read in full here on John Shaqi.
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