“Well, you serve my purpose,” said Eppie, “and that is to have you for
my friend.”
She seemed in this parting to have effaced all memory of glamour, but
Gavan knew that the deeper one was with him.
It was with him, even while, in the long journey South, he was able to
unwrap film after film of the mirage from its central core of reality,
to see Eppie, in all her loveliness, in all her noblest aspects, as a
sort of incarnation of the world, the flesh, and the devil. He could
laugh over the grotesque analogy; it proved to him how far from life he
was when its symbol could show in such unflattering terms, and yet it
hurt him that he could find it in himself so to symbolize her. It was
just because she was so lovely, so noble, that he must--he must--. For,
under all, was the wrench that would take time to stop aching.
X
Captain Palairet had gone to pieces and was now as unpleasant an object
as for years he had been a pleasant one.
Gavan’s atrophied selfishness felt only a slight shrinking from the
revolting aspects of dissolution, and his father’s condition rather
interested him. The captain’s childish clinging to his son was like an
animal instinct suddenly asserting itself, an almost vegetable instinct,
so little more than mere instinct was it. It affected Gavan much as the
suddenly contracting tentacles of a sea-anemone upon his finger might
have done. He was not at all touched; but he felt the claim of a
possible pang of loneliness and desolation in the dimness of decay, and,
methodically, with all the appearances of a solicitous kindness, he
responded to the claim.
The man, immersed in his rudimentary universe of sense, showed a host of
atavistic fears; fears of the dark, of strange faces, fears of sudden
noises or of long stillness. He often wept, leaning his swollen face on
Gavan’s shoulder, filled with an abject self-pity.
“You know how I love you, Gavan,” he would again and again repeat, his
lax lips fumbling with the words, “always loved you, ever since you were
a little fellow--out in India, you know. I and your dear mother loved
you better than life,” and, wagging his head, he would repeat, “better
than life,” and break into sobs--sobs that ceased when the nurse brought
him his wine-jelly. Then it might be again the tone of feeble whining.
“It doesn’t taste right, Gavan. Can’t you make it taste right? Do you
want to starve me between you all?”
Gavan, with scientific scrutiny, diagnosed and observed while he soothed
him or engaged his vagrant mind in games.
In his intervals of leisure he pursued his own work, and rode and walked
with all his usual tempered athleticism. He did not feel the days as a
strain, hardly as disagreeable; he was indifferent or interested. At the
worst he was bored. The undercurrent of pity he was accustomed to living
with.
Only at night, in hours of rest, he would sink into a half-dazed
disgust, find himself on edge, nearly worn out. So the winter passed.
Public-domain text, read in full here on John Shaqi.
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