She had naturally an open mind, but it was not open now; it was full and running over with the mysteries and the perplexities of her own environment. Books would not take her out of herself; in them she could not hope to find a key to any one of the problems within problems which beset and tortured her. So she ran her hand along the dusty books, little dreaming that the key was there all the time; so in the end, and quite by chance, but for the fact that she was dipping into so many, she took out the right book, and started backward with it in her hand. The book was _The Faerie Queene_, and Rachel had extracted it in a Gothic spirit, because she had once heard that very few living persons had read it from end to end; since she could not become interested in anything, she might as well be thoroughly bored. But she never opened the volume, for in the dark slit which it left something shone like a little new moon. Rachel put in her hand, and felt a small brass handle; to turn and pull it was the work of her hand without a guiding thought; but when tiers of books swung towards her with the opening door which they hid, it was not in human nature to shut that door again without so much as peeping in. Rachel first peeped, then stepped, into a secret chamber as disappointing at the first glance as such a place could possibly be. It was deep in dust, and filled with packing-cases not half unpacked, a lumber-room and nothing more. The door swung to with a click behind her as Rachel stood in the midst of this uninteresting litter, and instinctively she turned round. That instant she stood rooted to the ground, her eyes staring, her chin fallen, a dreadful fear in every feature of her face. It was not that her second husband had followed and discovered her; it was the face of her first husband that looked upon Rachel Steel, his bold eyes staring into hers, through the broken glass of a fly-blown picture-frame behind the door. The portrait was not hanging from the wall, but resting against it on the floor. It was a photographic enlargement in colors, and the tinted eyes looked up at Rachel with all the bold assurance that she remembered so keenly in the perished flesh. She had not an instant's doubt about those eyes; they spoke in a way that made her shiver; and yet the photograph was that of a much younger man than she had married. It was Alexander Minchin with mutton-chop whiskers, his hair parted in the middle, and the kind of pin in the kind of tie which had been practically obsolete for years; it was none the less indubitably and indisputably Alexander Minchin.