"It is hardly necessary to say that every precaution was taken.
Photographs of the cabinet were made before the sittings and afterward,
in order that all displacements might be recorded. Provision was made
for registering the action of 'John King's' spectral hands. Some of
these devices were concealed in an adjoining room and watched by other
attendants. One little touch early in Bottazzi's account impressed me
deeply. A little electric motor was used to furnish power for the lamps
and other apparatus, and Bottazzi, in speaking of it, says: 'At the
moment when the phenomena to be registered began to manifest, the
circuit was closed, _and suddenly in the complete silence of the night
the feeble murmur of the motor was heard_.' I thrill to the action of
that faithful little material watch-dog. Ghosts and hobgoblins could not
silence or affright it. After all, matter is both persistent and bold."
"But not sovereign," defiantly called out Brierly; "the psychic
dominates it."
"We shall see. Bottazzi declares in italics that Paladino neither put
her hand into the cabinet nor knew the contents of it. 'Rarely has she
been surrounded by such an assembly of unprejudiced minds, by such
strict and attentive intellects,' he declares. And when you consider the
absence of women, the mystery of the machinery, together with the stern
character of the sitters, the medium's courage becomes marvellous.
Perfect honesty alone can sustain a medium in such an ordeal. I am ready
to agree that a new era began for spiritism when Eusapia entered that
room, April 17, 1907."
"Poor Paladino!" sighed Mrs. Cameron. "I tremble for her."
"Bottazzi grimly says: 'We began by restraining her inexhaustible
mediumistic activity. We obliged her to do things she had never done
before. We limited the field of her manifestations.... I was convinced
that it was much easier for her to drag out of the cabinet a heavy table
than to press an electric knob or displace the rod of a metronome.' And
this theory he set himself to prove. It was beautiful to see the way he
went about it."
Howard was also impressed. "I see Eusapia's finish. She won't do a
thing. The influences will criss-cross. Bottazzi's cabinet is her
Waterloo."
Public-domain text, read in full here on John Shaqi.
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