"On the contrary, Bottazzi declares the phantoms also conformed to this same law. He was determined upon educating 'John King,' and kept insisting that the invisible hands press the rubber ball, or lower the registry balance, or set the metronome going, and Eusapia repeatedly moaned: '_I can't find_,' '_I can't see_,' or '_I don't know how_.' Once she complained that the objects were _too far off--that she could not reach them!_--all of which sustained Bottazzi in his belief that these activities were absolutely under her psychic control, just as the synchronism of movements convinced him that she was 'the physiologic factor in the case.' All of this is very exciting to me, for I have had the same feeling with regard to the several mediums whose activities I have closely studied. Bottazzi says, with regard to the results of the first two sittings: 'These first seances show that Eusapia needed to learn how to make these movements with which her invisible hands were unfamiliar, just as she would have had to learn to make them with her visible hands. You will all observe that he did not permit awe or superstitious reverence for the medium or her phantoms to balk his experiments.' A convinced spiritist who attended one of the seances was scandalized by the tone and character of the tests. These professors were continually bobbing up to see what was going on, disturbing conditions, stirring things up as with a spoon to see how it was all going on. They broke the chain of hands whenever they wanted to see what 'the spirits' were doing. In other words, these scientists were students, not devotees. They were experimenting, not communing with the dead." "Others have tried that," said Fowler. "But they succeeded in preventing any manifestations whatsoever." "It didn't work out so in this instance. Bottazzi says that during the first seance Professor Scarpa irritated Eusapia greatly by his impertinent curiosity, but Bottazzi himself quieted her by saying: 'You see, dear Eusapia, we are not here only to admire the marvellous phenomena you are able to produce, but also, and chiefly, to observe and verify and criticise. We do not doubt you or suspect any fraud, but we want to see clearly, and to follow the development of the phenomena. That is why M. Scarpa surveys the cabinet between the curtains, illuminating it occasionally with an electric pocket-lamp. Which do you prefer, passive admiration, of which you must have had more than enough already, or the calm affirmation of physicists who are accustomed to extort from Nature secrets which she hides from physical eyes? 'In this way,' adds the master, 'Eusapia's irritation was softened; she rebelled no further, but yielded with docility to the sharp, attentive scrutiny of the observer, who finally declared himself beaten, not having been able to discover at any point a shadow of fraud.'" "Hurrah for Eusapia!" shouted Howard. "She must be a wonder!"