The Shadowy Third, and Other StoriesGlasgow, Ellen Anderson Gholson
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The Shadowy Third, and Other Stories
Glasgow, Ellen Anderson Gholson
American fiction; Ghost stories; Short stories, American
“You may go straight upstairs,” she croaked; and, without waiting for an
explanation, I entered the hall quickly, and ran up the stairs.
The door of the room was closed, and I opened it noiselessly, and
stepped over the threshold. My first sensation, as I entered, was one of
cold. Then I saw that the windows were wide open, and that the room
seemed to be full of people, though, as I made out presently, there was
no one there except Alan Jordan’s wife, her little son, the two old
aunts, and an aged crone of a negress. On the bed there was something
under a yellowed sheet of fine linen (what the negroes call “a burial
sheet,” I suppose), which had been handed down from some more affluent
generation.
When I went over, after a minute, and turned down one corner of the
covering, I saw that my patient of the other evening was dead. Not a
line of pain marred his features, not a thread of gray dimmed the
wheaten gold of his hair. So he must have looked, I thought, when she
first loved him. He had gone from life, not old, enfeebled and
repulsive, but enveloped still in the romantic illusion of their
passion.
As I entered, the two old women, who had been fussing about the bed,
drew back to make way for me, but the witch of a negress did not pause
in the weird chant, an incantation of some sort, which she was mumbling.
From the rag carpet in front of the empty fireplace, the boy, with his
father’s hair and his mother’s eyes, gazed at me silently, broodingly,
as if I were trespassing; and by the open window, with her eyes on the
ashen November day, the young wife stood as motionless as a statue.
While I looked at her a redbird flew out of the boughs of a cedar, and
she followed it with her eyes.
“You sent for me?” I said to her.
She did not turn. She was beyond the reach of my voice, of any voice, I
imagine; but one of the palsied old women answered my question.
“He was like this when we found him this morning,” she said. “He had a
bad night, and Judith and the two hands were up with him until daybreak.
Then he seemed to fall asleep, and Judith sent the hands, turn about, to
get their breakfast.”
While she spoke my eyes were on the bottle I had left there. Two nights
ago it had been full, and now it stood empty, without a cork, on the
mantelpiece. They had not even thrown it away. It was typical of the
pervading inertia of the place that the bottle should still be standing
there awaiting my visit.
For an instant the shock held me speechless; when at last I found my
voice it was to ask mechanically.
“When did it happen?”
The old woman who had spoken took up the story. “Nobody knows. We have
not touched him. No one but Judith has gone near him.” Her words trailed
off into unintelligible muttering. If she had ever had her wits about
her, I dare-say fifty years at Jordan’s End had unsettled them
completely.
Public-domain text, read in full here on John Shaqi.
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