Instantly, Archie's sensitive brain grasped the whole situation.
Ventnor's business manager was not with him; he had not brought a second
violin. Like a flash Archie whipped his own out of its case. He had just
come from his lesson; it was in perfect tune. Before the shy, frail boy
knew what he was actually doing he was beside the footlights, handing
his own violin up to the great master, whose wonderful eyes gazed down
into the small, pale face, and whose hand immediately reached out,
grasping the poor, cheap little fiddle that Archie had learned his
scales on. The audience broke into applause, but with a single glance
Ventnor stilled them, and dashed straight into the melody precisely
where he had left off.
Archie could hardly believe his ears. Was _that_ his old thirty-dollar
fiddle? That marvellous thing that murmured, and wept, and laughed under
the master hand! Oh! the voice of it! The voice of it!
They would not let Ventnor go when he smiled himself off the stage.
They called and shouted, "Encore!" "Encore!" until he returned to
respond--respond, not with his own priceless instrument, but with
Archie's, and with a grace and kindliness that only a great man
possesses. He played a good-night lullaby on the boy's cheap little
violin, and, moreover, played it as he never had before. Archie
remembered afterwards that he had presence of mind enough to get on his
feet when they all sang "God Save the King," but it really seemed a
dream that Ventnor was shaking hands with him and saying, "I t'ank you,
me; I t'ank you. You save me great awkwardness." And then, before he
knew it, he had promised to go to the hotel the next day and play for
Ventnor.
All the way home he was thinking, "Fancy it!--I, Archie Anderson, asked
to play before Ventnor!" Then came the fuss and the delight of the
people at home over his good fortune, but he soon slipped away to bed,
exhausted with the evening's events. His mother, coming into the room
later to say good-night, saw that close to his bed, on a table where he
could reach out and touch it during the night, lay his violin.
"Motherette," he smiled happily, "I feel that it is consecrated."
"Keep it so, little lad of mine. Keep both your music and your violin
consecrated."
* * * * * * * *
Never had Archie played so well, for all his shyness and nervousness. He
seemed to gather something of the great man's soul as he played before
him at the hotel the following day.
Ventnor became greatly excited. "Boy, boy!" he cried, "you have a great
music in you! You must have study and work, like what is it you
Canadians say?--like Sam Hill!"
"Yes," said Archie, quietly; "rainy days and east wind days, when I
coughed and could not go to school, I worked, and--well, I just worked."
"Me, I should t'ink you did! Why, boy, I will make you great. I will
teach you all this summer."
"I'm afraid father can't afford that," faltered Archie.
Public-domain text, read in full here on John Shaqi.
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