The Shakespeare-Expositor: An Aid to the Perfect Understanding of Shakespeare's PlaysKeightley, Thomas
General
The Shakespeare-Expositor: An Aid to the Perfect Understanding of Shakespeare's Plays
Keightley, Thomas
Drama -- Outlines, syllabi, etc.; Shakespeare, William, 1564-1616 -- Outlines, syllabi, etc.
Thence forth descending to that perilous porch
Those dreadful flames she also found _delayed_.
F. Q. iii. 12. 42.
Here the poet probably wrote _allayed_, and the printer transferred to
it the _d_ of _found_. See on Temp. iv. 1.
While treating of elision, it may not be useless to remark that when
a word beginning with _h_ is monosyllabic, or is not accented on its
first syllable, the _h_ is not sounded. Any one who will observe will
find that _his_, for example, is usually pronounced _is_; so that there
is no occasion for the _'s_ of the dramatists. So we should write
and pronounce _a history_, but write _an historian_ and pronounce
_an 'istorian_; for _a historian_, as it is too often written and
pronounced, makes a most unpleasant _hiatus_. We may observe how
constantly the aspirate is suppressed in the poetry of Greece and Rome.
The errors of transcribers and printers are _Omission_, _Addition_,
_Transposition_, _Substitution_. Of these I will now give instances,
chiefly from my own experience. I must, however, previously notice the
rather curious fact, that these four sources of error, which I had
traced out in our printed works, are all, and no other, acted upon by
that, in my mind, most able of the German critics, J. Olshausen, in
that _chef d'oeuvre_ of criticism, his Comment on the Book of Psalms,
thus showing how universal they are.
7.
_Omission._--If any one will examine a proof-sheet as it comes from
the hands of a compositor, he will find abundant instances of this
source of error. One would think that such could hardly escape the
author's eye; and yet, in the edition of Ben Jonson's plays corrected
by himself, almost the only errors detected by the editors have been
those of omission; and a few more have, I think, escaped _them_. I may
add that the words supplied by them seem to me to be almost invariably
the very words which had been omitted. In Notes and Queries (3 S.
vii.) there is a list of the principal _errata_ in the reprint of the
First Folio, in 1808; and the far larger portion of them are omissions
which can easily be supplied. From my own experience in the case of
reprints, I can further assert that corrections of this kind are by
no means a matter of hap-hazard; for where I have supplied the words I
supposed lost or altered I have almost invariably found, on referring
to the original edition, that I had hit on the exact word. As an
instance, in a late reprint of Akenside's Poems, the following line
occurs in the Hymn to the Naiads:
Your _sultry_ springs, through every urn.
Here I at once corrected _salutary_, and on looking at the original
edition I found I was right. Yet, had this correction been made in
Shakespeare, we know how it would have been disputed. As to omissions
I can give the following instances. In a reprint (Lond. 1816) of
Fletcher's Purple Island, we find (xii. 74, 85) the following lines:
Public-domain text, read in full here on John Shaqi.
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