It was not likely that Hamlet’s behaviour would be let pass without
remark, and presently the two obsequious courtiers, Rosencrantz and
Guildenstern, came to summon him to the presence of the Queen. They
brought word that the King was in his own room, marvellously upset
with rage, and that the Queen, in great affliction of spirit, had sent
them to say to Hamlet that his behaviour had struck her into amazement
and astonishment, and that she desired to speak with him in her room
before he went to bed.
Hamlet replied he would obey, but on Rosencrantz and Guildenstern’s
further attempting to discover from him the cause of his strange
behaviour, he retorted by asking the two young men what they meant by
treating him in the way they did, which was as if they were trying to
drive him into some snare.
“O my lord, if my duty be too bold, my love is too unmannerly,”
answered Guildenstern.
“I do not well understand that,” said Hamlet; and it may be doubted if
the speaker himself knew what he meant by his silly words.
But the young Prince determined to give the couple a lesson, and show
them he was not quite the witless creature they seemed to imagine. A
few minutes before he had called for music, and ordered some recorders
to be brought. The recorder was a small musical instrument something
like a flute. On the attendant’s bringing them, Hamlet took one and
held it out to Guildenstern.
“Will you play upon this pipe?” he asked him courteously.
“My lord, I cannot.”
“I pray you,” he begged.
“Believe me, I cannot.”
“I do beseech you.”
“I know no touch of it, my lord.”
“’Tis as easy as lying,” said Hamlet. “Govern these holes with
your finger and thumb, give it breath with your mouth, and it will
discourse most eloquent music. Look you, these are the stops.”
“But these cannot I command to any utterance of harmony; I have not
the skill,” declared Guildenstern.
“Why, look you, how unworthy a thing you would make of me!” said
Hamlet, his persuasive voice changing to sudden sternness. “You would
play upon _me_; you would seem to know _my_ stops; you would pluck out
the heart of my mystery; you would sound me from my lowest note to the
top of my compass; and there is much music, excellent voice in this
little organ, yet you cannot make it speak. Do you think I am easier
to be played on than a pipe?--Call me what instrument you will, though
you can fret me, yet you cannot play upon me.”
The pipe snapped in his slender fingers, as he tossed it
contemptuously away, and the two young men stood crestfallen and
abashed before his noble scorn.
* * * * *
Public-domain text, read in full here on John Shaqi.
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