“I will write,” said Imogen. “Send your trunk to me; it shall be
safely kept and faithfully yielded to you. You are very welcome.”
How Iachimo won his Wager
The trunk sent by Iachimo was duly placed for security in Imogen’s
chamber, but it was no plate or jewels that it contained. That night,
when the Princess slept, a lighted taper still burning in the room,
and near at hand the book she had been reading ere she fell asleep,
the lid of the trunk was lifted, and a man stepped out. It was
Iachimo. With rapid glance he surveyed the room, carefully studying
every detail, what pictures there were, where the window was placed,
what was the adornment of the bed, the arras, the figures and the
story represented. But even this was not sufficient for his purpose.
He stealthily approached the bed, and while Imogen lay wrapt in deep
sleep, he slipped from her arm the bracelet which Leonatus had given
her, noting at the same time, on the pure whiteness of her skin, a
little mole with five spots, like the crimson spots in the bottom
of a cowslip. Next he took up the book she had been reading, looked
carefully at the title, and observed the exact passage in the tale
where she had left off. Then, satisfied with his ignoble work, he went
back into the trunk. The lid shut with a spring, and once more there
was apparently nothing in the room to disturb the innocent serenity of
the sleeping Princess.
In the morning early came an unwelcome suitor. Cloten, the Queen’s
son, had been advised to try the effects of music on the hard-hearted
lady, who unceasingly repulsed his advances. He therefore ordered some
musicians to attend outside her chamber window, and sing a charming
little “aubade”--that is, a song of the nature of a serenade, but
sung at dawn to waken the sleeper instead of during the night. The
song chosen was an especially pretty one, with a wonderfully sweet
air, and Cloten hoped it would not fail to touch Imogen’s heart.
“Hark, hark! the lark at heaven’s gate sings,
And Phœbus ’gins arise,
His steeds to water at those springs
On chaliced flowers that lies;
And winking Mary-buds begin
To ope their golden eyes;
With every thing that pretty is,
My lady sweet, arise;
Arise, arise!”
Imogen liked the pretty music, but she was sorry not to be able
to thank Cloten properly for his trouble, for she disliked him as
heartily as ever, and, vexed by his importunity, was forced to tell
him so. Cloten tried to persuade her to give up her husband, saying
that the contract which she pretended with that “base wretch, one bred
of alms, and fostered with cold dishes, with scraps of the Court,” was
no contract, and that the marriage could easily be dissolved.
Public-domain text, read in full here on John Shaqi.
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