Iago, a comedian's part, 308. Speech of, a striking paraphrase of Berni, 64. Ideal Shakespeare, every man may select his own, 99 "Imogen" name and character, whence taken, 217. Imposture literary, state of the law favorable to, 113. Ingleby, Dr C. M., his plea for Shakespeare, 250 Innuendo, evidence by way of, 237. Supporting Ben Jonson 238, note. Innuendoes, of Sir Tobie Matthew, 147, 237. Insecurity of authorship, 109. See Authorship, Copyright, Printers, etc. Nashe's, testimony as to, 109. Heywood's, testimony as to, 109. Internal evidence. See Evidence, internal. Italian and French, not taught at Stratford school, 221. Italy, knowledge of, displayed in plays, 219, 220. Intricate acquaintance with manners and customs of, 220. J. "Jacques-Peter," probably original form of name "Shakespeare,". 172. James, King. See King James. Jansen, the S. portrait, 101. Johnson, Gerard, said to have made Stratford bust, 97. Johnson, Samuel, his estimate of Shakespearean plays, 26, 27, 28. Specimens of his commentaries on plays, 27. Joint authorship, Miss Bacon's theory was, 200. Jones, Inigo, devises trappings for court masques, 271. Jonson, Ben, a "famous witness," 152. An expert witness, 303, 304. Applies same words and figure to Bacon and to W. S. 145 A university man, 43. Cited as a witness, contra, 250. His conversations with Drummond, 139. His "Discoveries" fatal to Shakespearean theory, 134-136. His fling at Shakespeare in prologue, etc., 138. His obituary verses, 129. His testimony, 129. Analysis of, 131. His opinion of the Droeshout likeness, 92-94. Why is libel on W. S., 98. His plays not popular, 272. Never mentions Bacon to W. S. or W. S. to Bacon, 145. Plays Boswell to Bacon and Shakespeare alike, 146. Studiously inclined, 43. Wants to blot out 1,000 Shakespearean lines, 137. Jordan, John, 74. Jordan, John, probable inventor of story and verses, 123. Judith Shakespeare, never taught to write her name. 40, 172. K. King James's letter, story of, when invented, 44, 167. King, Thomas, his "Plea" for Shakespeare, 248. His argument, 249. L. Ladies, seated on the stage, 273. Lampoon on Sir Thomas Lucy, two versions of, 123. Latinisms, in the plays, 207. Law in "Merchant of Venice," 215, note. Lawyers. See Young lawyers. Learning contained in the plays, 205. No reason for its being there, 229. Legal acquirements of author of the plays, 59, 214. Libraries, public or circulating, none in London, 52. Library. See English library. Did he have a, 266, 267. Plays can not be studied without a, 266. Plays not composed without a, 266.