Othello, appears seven years after Shakespeare's death, 290. P. Palmerston, Lord, convert to Baconian theory, 143. His idea of Ben Jonson, 143. Papist, was W. S. a, 74, 117. Parallelisms, argument from in Baconian theory, 238. Holmes's list of, 238. Examples of, 239, 240. Reduced to an ordo by Holmes, 241. Passionate Pilgrim, not written by W. S., 276. Shakespeare's name removed in 3d edition, 276. The, written partly by Heywood, 109. Pascal, difference between his case and Shakespeare's, 55. Pembroke, a dedication of Sonnets to, insulting, 282. Sonnets could not be dedicated to, 281. Pepys, his estimate of Shakespearean plays, 20. "Pericles," allusion to a peculiar custom in, 55, note. Rejected by first folio, but restored by Shakespeareans, 290. Phillips. See Halliwell-Phillips. Philological test of Shakespearean plays, 205-207. Pickpockets, pilloried on the stage, 259, note, Plagiarism. See Authorship, Greene, Heywood, Plays, Printers. Plays, anachronisms not misleading, 118. Audiences of the, not critical as to the dialogue, 13. Plays, authorship of, revealed, 312, 313, 314, 315. Boys took female parts in, 273. Classical knowledge of the, 208. Contemporary criticism of the character of, 14. Doubt as to single authorship of, 300. Dramatic license of these, 118. Emendations of, in first folio. See Emendations, First folio. Forty-two credited to W. Shakespeare, 290. How put into type, 112, 306, 307. Manuscripts of, jealously guarded by theaters, 115 Manuscripts of the, how procured, 110. Name of actors in, 314. Name of author of, 296. Need not have been didactic, 271, 272. Not composed without a library, 266. No tradition connecting Shakespeare with composition of, 267. Ordinarily mere local sketches, 263, 264. Passed with first audiences as Shakespeare's, 15. Printed instead of acted, 263. Probable reason why called Shakespeare's, 56. Shakespearean, canon of, 291. Sources of unauthorized reprints of, 307. Tabulated, 289. Taken down in shorthand, 307. The, a phenomenon in experience, 1. The "copyrights" of, 50. Not mentioned in the will, 50. The doubtful. See Doubtful plays. Their action only used, 272. The masses not "up" to, to-day, 261. The philological test of, 205-207. The present text made by piecemeal since W. S.'s death, The, were popular with their first audiences, 15. Traces in, of aristocratic authorship, 283. Typographical evidence of authorship of, 312, 313, 314, 315. Use of Warwickshire names in the, 248. Use of Warwickshire expressions in the, 248. Plays, were performed, 305, 306, 307.