Thorpe, Thomas, dedicates the Sonnets to a friend, 277, 278.
Prints and copyrights the Sonnets, 277.
Trade-mark, sort of common in name, 292.
Travels, Wm. Shakespeare's supposed, 216.
Treatises, scientific, the audiences did not want, 229.
"Troilus and Cressida," 285. See Doubtful plays.
Troy. See Siege of Troy.
"True, original copies," proof of what they were, 313, 314.
See Copies, First folio, Typographical evidence.
Typographical evidence of authorship, 312, 313, 314, 315,
U.
Ulrici, opinion of, learning of plays, 221.
Unitary theory, property of Smith and Holmes. See Bacon, Delia, 200.
V.
Vega, Lope de, computed to have written 21,300,000 verses, 184.
Writes "without blotting a line," 184.
Venice, knowledge of, displayed in plays, 219.
Venus and Adonis, argument from that poem alone, 43.
Boldness of assignment to W. S., 275.
Popularity of, 293.
Why not a first production, 294.
Why of doubtful authorship, 41, 218.
W.
Ward, Dominie, hears about Shakespeare, 304.
Testimony as to Shakespeare's acquirements, 265.
Ward, Rev. John, his account of W. S., 68.
Warwickshire, names, use of, in the plays, 248.
Expressions, use of in plays, 248.
"Watch," the, actual curiosities, 305.
Burghley's account of, 305, note.
Werner, anticipated by the plays, 213.
"Wet combats," wit combats were, 268.
Is it a misprint? 269.
"W. H.," a friend of Thorpe, dedicator or dedicatee? 278.
Theories as to meaning of, 280-282.
Various translations of, 279.
Who was he? 109, 279, 280, 282.
White, R. G., admits that managers "kept a poet," 85, note.
His idea of Henry VI., 303.
Opinion of English of plays, 218.
Who wrote Shakespeare? Passim. Question first asked in 1852, 185.
Wilkes, Geo., his "American Point of View," 247.
Will, difficulties of the, explained, 271.
Will, no mention of any plays in, 50.
Or of any theatrical property, 50.
"Wit combats," were "wet combats," 268.
Wood, Anthony, his mention of W. S., 78.
Works, poetical, of W. S. See Poetical works.
Wotton, description of a popular play, 263.
Description of theaters of his days, 258.
Y.
"Young ladies' argument," the, 91.
Young lawyers, wrote plays rapidly, 84, note.
Z.
Zuccharo, portrait, the, 107. See Portraits.
End of Project Gutenberg's The Shakespearean Myth, by Appleton Morgan
Public-domain text, read in full here on John Shaqi.
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