The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of PesaroSabatini, Rafael
History
The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of Pesaro
A second time it came, and now it seemed to break the hideous spell
that its first utterance had cast over me. Dropping the leather bottle,
I sped back, down the stone passage to the door that abutted on the
chancel.
There, by the high-altar, I saw a form that seemed at first luminous
and ghostly, but in which presently I recognised Madonna Paola, the dim
rays of the distant tapers finding out the white robe with which her
limbs were hung. She was alone, and I knew then that it was but the
very natural fear consequent upon awakening in such a place that had
provoked the cry I had heard.
“Madonna,” I called, advancing swiftly towards her. “Madonna Paola!”
There was a gasp, a moment’s stillness, then—
“Lazzaro?” She cried, questioningly. “What has happened? Why am I
here?”
I was beside her now, and found her trembling like an aspen.
“Something horrible has happened, Madonna,” I answered. “But it is over
now, and the evil is averted.”
“But how came I here?”
“That you shall learn.” I stooped to gather up the cloak which had
slipped from her shoulders as she advanced. “Do you wrap this about
you,” I urged her, and with my own hands I assisted to enfold her in
that mantle. “Are you faint, Madonna?” I asked.
“I scarce know,” she answered in a frightened voice. “There is a black
horror upon me. Tell me,” she implored again, “what does it mean?”
I drew her away now, promising to satisfy her in the fullest manner
once she were out of these forbidding surroundings. I led her to the
sacristy and seating her upon the settle I produced that wine-skin once
again.
At first she babbled like a child of not being thirsty; but I was
insistent.
“It is no matter of quenching thirst, Madonna,” I told her. “The wine
will warm and revive you. Come Madonna mia, drink.”
She obeyed me now, and having got the first gulp down her throat she
drank a lusty draught that was not long in bringing a healthier colour
to replace the ashen pallor of her cheeks.
“I am so cold, Lazzaro,” she complained.
I turned to the drawer in which I had espied the rough monks’ habits,
and pulling one out I held it for her to don. She sat there now, in
that garment of coarse black cloth, the cowl flung back upon her
shoulder, the fairest postulate that ever entered upon a novitiate.
“You are good to me, Lazzaro,” she murmured plaintively, “and I have
used you very ill.” She paused a second, passing her hand across her
brow. Then—“What is the hour?” she asked.
It was a question that I left unheeded. I bade her brace herself and
have courage for the tale I was to tell. I assured her that the horror
of it was all passed and that she had naught to fear. So soon as her
natural curiosity should be satisfied it should be hers to return to
her brother at the Palace.
Public-domain text, read in full here on John Shaqi.
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