The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of PesaroSabatini, Rafael
History
The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of Pesaro
Not until they were within a matter of a hundred paces did I raise my
eyes to take their measure; and then I halted on my step, smitten of a
sudden by an unreasoning and unreasonable fear, to see at their head
the bulky form of the Governor of Cesena. He saw me, too, and, what was
worse, he recognised me on the instant, for he clapped spurs to his
horse and came at me as if he would ride me down. Within three paces of
me he drew up his steed. Whether the memory of the other two occasions
on which I had thwarted him arose now in his mind and made him wonder
had not some fatality brought me across his path again to send awry his
pretty schemes concerning Madonna Paula, I cannot say for certain; yet
some suspicion of it occurred to me and filled me with apprehension.
“Body of Bacchus!” he roared. “Is it truly you, Boccadoro?”
“They call me Biancomonte now, Magnificent,” I answered him. But my
tone was respectful, for it could profit me nothing to incense him.
“A fig for what they call you,” he snapped contemptuously. “Whence are
you?”
“From Pesaro,” I answered truthfully.
“From Pesaro? But you are travelling towards it.”
“True. I was making for Cattolica, but I missed my way in seeking to
shorten it. I am now returning by the high-road.”
The explanation satisfied him on that point, and being satisfied, he
asked me when I had left Pesaro. A moment I hesitated.
“Late last night,” said I at last. He looked, at me, my foolish
hesitation having perhaps unslipped a suspicion that was straining at
its leash.
“In that case,” said he, “you can scarcely have heard the strange story
that is being told there?”
I looked at him, as if puzzled, for a second. “If you mean the story of
Madonna Paoia’s end, I heard it yesterday.”
“Why, what story was that?” quoth he in some surprise, his beetling
brows coming together in one broad line of fur.
I shrugged my shoulders. “Men said that she had been poisoned.”
“Oh, that,” he cried indifferently. “But men say to-day that her body
was stolen from the Church of San Domenico where it lay. An odd
happening, is it not?” And his eyes covered me in a fierce scrutiny
that again suggested to me those suspicions of his that I might be the
man who had anticipated him. I was soon to learn that he had more
grounds than at first I thought for those same suspicions.
“Odd, indeed,” I answered calmly, for all that I felt my pulses
quickening with apprehension. “But is it true?” I added.
He shrugged his shoulders. “Rumour’s habit is to lie,” he answered.
“Yet for such a lie as that, so monstrous an imagination would be
needed that, rather, am I inclined to account it truth. There are no
more poets in Pesaro since you left. But at what hour was it that you
quitted the city?”
To hesitate again were to betray myself; it were to suggest that I was
seeking an answer that should sort well with the rest of my story.
Besides, what could the hour signify?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account