The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of PesaroSabatini, Rafael
History
The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of Pesaro
“I deplore your end, Lazzaro Biancomonte,” said he slowly, “for you are
a brave man, and brave men are rare. You were worthy of better things,
but you chose to cross swords with Ramiro del’ Orca, and you have got
your death-blow. May God have mercy on your soul.”
“I am praying,” said I, “for just so much mercy as you shall have
justice. If my prayer is heard, I should be well-content.”
He changed countenance a little. So, too, I thought, did Madonna Paola.
My firmness may have yielded her some grain of comfort. Ramiro set his
hands on his hips, and eyed me squarely.
“You are a dauntless rogue,” he confessed.
I laughed for answer, and in that moment it entered my mind that I
might yet enjoy some measure of revenge in this life. More than that, I
might benefit Madonna. For were the seed I was about to sow to take
root in the craven heart of Ramiro del’ Orca, it would so fully occupy
his mind that he would have little time to bestow on Paola in the few
hours that were left him. But before I could bethink me of words, he
was speaking again.
“I held out to you a slender hope,” said he. “I told you that there was
one little thing might save you. That hope has borne no fruit; the
little thing, I spoke of has not come to pass. It rested with Madonna
Paola, here. She had it in her hands to effect your salvation, but she
has refused. Your blood rests on her head.”
She shuddered at the words, and a low moan escaped her. She covered her
face with her hands. A moment I stood looking at her; then I shifted my
glance to Ramiro.
“Will it please you, Illustrious, to allow me a few moments’
conversation with Madonna Paola di Santafior?”
I invested my tones with a weight of meaning that did not escape him.
His face suddenly lightened; whilst one of his officers—a fellow very
fitly named Lupone—laughed outright.
“Your hero seems none so heroic after all,” he said derisively to the
Governor. “The imminence of death makes him amenable.”
Ramiro scowled on him for answer. Then, turning to me—“Do you think you
could bend her stubbornness?” quoth he.
“I might attempt it,” answered I.
His eyes flashed with evil hope; his lips parted in a smile. He shot a
glance at Madonna, who had withdrawn her hands from her face and was
regarding me now with a strange expression of horror and
incredulity—marvelling, no doubt, to find me such a craven as I must
have seemed.
Ramiro looked at the diminishing sunlight on the floor.
“In some five minutes the sun will have completely set,” said he.
“Those five minutes you shall have to seek to enlist Madonna’s aid on
your behalf. If you succeed—and she may tell you on what terms you are
to have your life—you shall depart from Cesena to-night a free man.”
He paused a moment, and his eyes, lighted by an odious smile, rested
once more on Madonna Paula. Then he bade all withdraw, and went with
them into an adjoining chamber, fondly nurturing the hopes that were
begotten of his belief that Lazzaro Biancomonte was a villain.
Public-domain text, read in full here on John Shaqi.
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