The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of PesaroSabatini, Rafael
History
The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of Pesaro
And now Cesare’s eye, travelling round, alighted on Madonna Paola,
standing back in the shadows to which she had instinctively withdrawn
at his coming. At sight of her he recoiled a pace, deeming, no doubt,
that it was an apparition stood before him. Then he looked again, and
being a man whose mind was above puerile superstitions, he assured
himself that by what miracle the thing was wrought, the figure before
him was the living body of Madonna Paola Sforza di Santafior. He swept
the velvet cap with its jewelled plume from off his auburn locks, and
bowed low before her.
“In God’s name, Madonna, how are you come to life again, and how do I
find you here of all places?”
She made no ado about enlightening him.
“That villain,” said she, and her finger pointed straight and firmly at
Ramiro, “put a sleeping-potion in my wine on the last night he dined
with us at Pesaro, and when all thought me dead he came to the Church
of San Domenico with his men to carry off my sleeping body. He would
have succeeded in his fell design but that Lazzaro Biancomonte there,
whom you have stayed him in the act of torturing to death, was
beforehand and saved me from his clutches for a time. This morning at
Cattolica his searching sbirri discovered me and brought me hither,
where I have been for the past three hours, and where, but for your
Excellency’s timely arrival, I shudder to think of the indignities I
might have suffered.”
“I thank you, Madonna, for this clear succinctness,” answered Cesare
coldly, as was his habit. They say he was a passionate man, and such
indeed I do believe him to have been; but even in the hottest frenzy of
rage, outwardly he was ever the same—icily cold and tranquil. And this,
no doubt, was the thing that made him terrible.
“Presently, Madonna,” he pursued, “I shall ask you to tell me how it
chanced that, having saved you, Messer Biancomonte did not bear you to
your brother’s house. But first I have business with my Governor of
Cesena—a score which is rendered, if possible, heavier than it already
stood by this thing that you have told me.”
“My lord,” cried out Ramiro, finding his tongue at last, “Madonna has
misinformed you. I know nothing of who administered the
sleeping-potion. Certainly it was not I. I heard a rumour that her body
had been stolen, and—”
“Silence!” Cesare commanded sternly. “Did I question you, dog?”
His beautiful, terrible eyes fastened upon Ramiro in a glance that
defied the man to answer him. Cowed, like a hound at sight of the whip,
Ramiro whimpered into silence.
Cesare waved his hand in his direction, half-turning to the men-at-arms
behind him.
“Take and disarm him,” was his passionless command. And while they were
doing his bidding, he turned to me and ordered the executioner beside
me to unbind my hands and set me at liberty.
Public-domain text, read in full here on John Shaqi.
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