The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of PesaroSabatini, Rafael
History
The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of Pesaro
Ramiro announced his intention of leaving Pesaro on the morrow, and ere
he went he begged leave to pledge the beautiful Lady of Santafior, who
was so soon to become the bride of the valiant and mighty Ignacio
Borgia. It was a toast that was eagerly received, so eager and
uproariously that even that poor lady herself was forced to smile, for
all that I saw it in her eyes that her heart was on the point of
breaking.
I remember how, when we had drunk, she raised her goblet—a beautiful
chaste cup of solid gold—and drank, herself, in acknowledgment; and I
remember, too, how, chancing to move my head, I caught a most singular,
ill-omened smile upon the coarse lips of Messer Ramiro.
At the time I thought of it no more, but in the morning when the
horrible news that spread through the Palace gained my ears, that smile
of Ramiro del’ Orca recurred to me at once.
It was from the seneschal of the Palace that I first heard that tragic
news. I had but risen, and I was descending from my quarters, when I
came upon him, his old face white as death, a palsy in his limbs.
“Have you heard the news, Ser Lazzaro?” he cried in a quavering voice.
“The news of what?” I asked, struck by the horror in his face.
“Madonna Paola is dead,” he told me, with a sob.
I stared at him in speechless consternation, and for a moment I seemed
forlorn of sense and understanding.
“Dead?” I remember whispering. “What is it you say?” And I leaned
forward towards him, peering into his face. “What is it you say?”
“Well may you doubt your ears,” he groaned. “But, Vergine Santissima!
it is the truth. Madonna Paola, that sweet angel of God, lies cold and
stiff. They found her so this morning.”
“God of Heaven!” I cried out, and leaving him abruptly I dashed down
the steps.
Scarce knowing what I did, acting upon an impulsive instinct that was
as irresistible as it was unreasoning, I made for the apartments of
Madonna Paola. In the antechamber I found a crowd assembled, and on
every face was pallid consternation written. Of my own countenance I
had a glimpse in a mirror as I passed; it was ashen, and my hollow eyes
were wild as a madman’s.
Someone caught me by the arm. I turned. It was the Lord Filippo, pale
as the rest, his affectations all fallen from him, and the man himself
revealed by the hand of an overwhelming sorrow. With him was a grave,
white-bearded gentleman, whose sober robe proclaimed the physician.
“This is a black and monstrous affair, my friend,” he murmured.
“Is it true, is it really true, my lord?” I cried in such a voice that
all eyes were turned upon me.
“Your grief is a welcome homage to my own,” he said. “Alas, Dio Santo!
it is most hideously true. She lies there cold and white as marble, I
have just seen her. Come hither, Lazzaro.” He drew me aside, away from
the crowd and out of that antechamber, into a closet that had been
Madonna’s oratory. With us came the physician.
“This worthy doctor tells me that he suspects she has been poisoned,
Lazzaro.”
Public-domain text, read in full here on John Shaqi.
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