The Shaving of Shagpat; an Arabian entertainment — CompleteMeredith, George
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The Shaving of Shagpat; an Arabian entertainment — Complete
Meredith, George
Arab countries -- Fiction; Fantasy fiction, English
He then commanded Khipil to precede him, and Khipil was heightened with
the honour. When Khipil had paraded a short space he stopped quickly, and
said to Shahpesh, 'Here is, as it chanceth, a gap, O King! and we can go
no further this way.'
Shahpesh said, 'All is perfect, and it is my will thou delay not to
advance.'
Khipil cried, 'The gap is wide, O mighty King, and manifest, and it is an
incomplete part of thy palace.'
Then said Shahpesh, 'O Khipil, I see no distinction between one part and
another; excellent are all parts in beauty and proportion, and there can
be no part incomplete in this palace that occupieth the builder four
years in its building: so advance, do my bidding.'
Khipil yet hesitated, for the gap was of many strides, and at the bottom
of the gap was a deep water, and he one that knew not the motion of
swimming. But Shahpesh ordered his guard to point their arrows in the
direction of Khipil, and Khipil stepped forward hurriedly, and fell in
the gap, and was swallowed by the water below. When he rose the second
time, succour reached him, and he was drawn to land trembling, his teeth
chattering. And Shahpesh praised him, and said, 'This is an apt
contrivance for a bath, Khipil O my builder! well conceived; one that
taketh by surprise; and it shall be thy reward daily when much talking
hath fatigued thee.'
Then he bade Khipil lead him to the hall of state. And when they were
there Shahpesh said, 'For a privilege, and as a mark of my approbation, I
give thee permission to sit in the marble chair of yonder throne, even in
my presence, O Khipil.'
Khipil said, 'Surely, O King, the chair is not yet executed.'
And Shahpesh exclaimed, 'If this be so, thou art but the length of thy
measure on the ground, O talkative one!'
Khipil said, 'Nay, 'tis not so, O King of splendours! blind that I am!
yonder's indeed the chair.'
And Khipil feared the King, and went to the place where the chair should
be, and bent his body in a sitting posture, eyeing the King, and made
pretence to sit in the chair of Shahpesh, as in conspiracy to amuse his
master.
Then said Shahpesh, 'For a token that I approve thy execution of the
chair, thou shalt be honoured by remaining seated in it up to the hour of
noon; but move thou to the right or to the left, showing thy soul
insensible of the honour done thee, transfixed thou shah be with twenty
arrows and five.'
The King then left him with a guard of twenty-five of his body-guard; and
they stood around him with bent bows, so that Khipil dared not move from
his sitting posture. And the masons and the people crowded to see Khipil
sitting on his master's chair, for it became rumoured about. When they
beheld him sitting upon nothing, and he trembling to stir for fear of the
loosening of the arrows, they laughed so that they rolled upon the floor
of the hall, and the echoes of laughter were a thousand-fold. Surely the
arrows of the guards swayed with the laughter that shook them.
Public-domain text, read in full here on John Shaqi.
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