On her return home, she resumed her reading of the Scriptures, and passed from the Psalms to the Prophecies of Isaiah. The bold imagery of the prophet delighted her, but she could not trace its application, or its meaning; and, in reference to his sixth chapter, she was greatly perplexed to decide whether it was a poetical fiction, or a real description of heaven. "My first course of reading," she says in her letter, "left an impression on my mind that we have not, in any of the walks of literature, such a class of men as the writers of the Bible. These men possess some rare endowments; they appear to know more about God and another world than any other writers whose works I have ever read. There is a majestic simplicity, and sublime grandeur, in all their statements and descriptions of the unknown world, and its great spirits." Having no one to guide her in her study of the Scriptures, her reading was very desultory; she passed from one book to another in great mental perplexity, and could not discover any obvious connection between them, resembling the continuity preserved in other works with which she was familiar. At length she turned to Paul's Epistles, but they were dark and mystical, and rather repulsive to her taste, being so unlike the poetic and the prophetic books; to her mind they presented no sublimity or beauty; and yet she admitted, it was a strange repulsiveness--it gave her no offence, or even distaste to the Bible. "I now," she adds, "began reading the Gospels. They were more intelligible. The narratives pleased me. I was delighted with some of the scenes, particularly the Prodigal Son, and the Pharisee and Publican in the Temple. The tales interested me; they seemed to wear the air of truthfulness, and yet at times I thought them inventions. The history of Jesus Christ very soon took a strong hold of my imagination, and I soon began to admire the fine blending of majesty and meekness, of dignity and tenderness, of lofty bearing, which no insults could disturb, and sweet compassion, which his character so broadly exhibits. Yes, I often said, he is a real person, for no human genius could invent such a person, or draw such a character. I followed him through the dark period of his agonizing sufferings, from his prostration in the garden to Calvary, where he was crucified. I wept when I saw him on the cross."