Allegories; Christian fiction; Clergy -- Fiction; Ozark Mountains -- Fiction
Instinctively the two men stopped. Pete said in a low tone, as one
would speak in a sacred presence, _“He_ is there. Come on, Dad. Come,
other man. Don’t be scared.”
Still the boy’s companions hesitated. Mr. Howitt asked, “Who, boy? who
is there? Do you know who it is?”
“No, no, not me. Nobody can’t know nothin’, can they?”
“Hopeless case, Daniel; hopeless. Too bad, too bad,” muttered the
physician, laying his hand upon his friend’s shoulder.
The shepherd tried again, “Who does Pete say it is?”
“Oh, Pete says it’s him, just him.”
“But who does Pete say he is?” suggested Dr. Coughlan.
Again the boy’s voice lowered to a whisper, “Sometimes Pete says it
must be God, ’cause he’s so good. Dad says God is good an’ that he
takes care of folks, an’ _he_ sure does that. ’Twas him that scared
Wash Gibbs an’ his crowd that night. An’ he sent the gold to you, Dad;
God’s gold it was; he’s got heaps of it. He killed that panther, too,
when it was a goin’ to fight Young Matt. Pete knows. You see, Dad, when
Pete is with him, I ain’t nobody no more. I’m just Pete then, an’ Pete
is me. Funny, ain’t it? But he says that’s the way it is, an’ he sure
knows.”
The two friends listened with breathless interest. “And what does Pete
call him?” asked the doctor.
“Pete calls him father, like Dad calls God. He talks to God, too, like
Dad does. Do you reckon God would talk to God, mister?”
With a cry the shepherd reeled. The doctor caught him. “Strong, Daniel,
strong.” Pete drew away from the two men in alarm.
The old scholar’s agitation was pitiful. “David, David; tell me, what
is this thing? Can it be—my boy—Howard, my son—can it be? My God,
David, what am I saying? He is dead. Dead, I tell you. Can the dead
come back from the grave, David?” He broke from his friend and ran
staggering toward the cabin; but at the door he stopped again. It was
as if he longed yet feared to enter, and the doctor and the boy came to
his side. Without ceremony Pete pushed open the door.
The room was furnished with a cupboard, table and small cook stove. It
was evidently a living room. Through a curtained opening at the right,
a light showed from another apartment, and a voice called, “Is that
you, Pete?”
A look of pride came into the face of the lad, “That’s me,” he
whispered. “I’m Pete here, an’ Pete is me. It’s always that way with
him.” Aloud, he said, “Yes, Father, it’s Pete. Pete, an’ Dad, an’ the
other man.” As he spoke he drew aside the curtain.
For an instant the two men paused on the threshold. The room was small,
and nearly bare of furniture. In the full glare of the lamp, so shaded
as to throw the rest of the room in deep shadow, hung a painting that
seemed to fill the rude chamber with its beauty. It was the picture of
a young woman, standing by a spring of water, a cup brimming full in
her outstretched hand.
On a bed in the shadow, facing the picture, lay a man. A voice
faltered, “Father. Dr. Coughlan.”
CHAPTER XXXIX.
A MATTER OF HOURS.
Public-domain text, read in full here on John Shaqi.
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