Allegories; Christian fiction; Clergy -- Fiction; Ozark Mountains -- Fiction
The old shepherd answered softly, “One did.” Then rising to his feet
and pointing to Roark valley, he said, “Before many years a railroad
will find its way yonder. Then many will come, and the beautiful hills
that have been my strength and peace will become the haunt of careless
idlers and a place of revelry. I am glad that I shall not be here. But
I must not keep you longer from your duties.”
“I shall see you again, shall I not?” The painter was loath to let him
go.
“More often than will be good for your picture, I fear. You must work
hard, young sir, while the book of God is still open, and God’s message
is easily read. When the outside world comes, men will turn the page,
and you may lose the place.”
After that they met often, and one day the old man led the artist to
where a big house looked down upon a ridge encircled valley. Though
built of logs without, the house within was finished and furnished in
excellent taste. To his surprise, the painter found one room lined with
shelves, and upon the shelves the best things that men have written for
their fellows. In another room was a piano. The floors were covered
with rugs. Draperies and hangings softened the atmosphere; and the
walls were hung with pictures; not many, but good and true; pictures
that had power over those who looked upon them. The largest painting
hung in the library and was veiled.
“My daughter, Mrs. Matthews,” said the old shepherd, as he presented
the stranger to the mistress of the house. In all his search for
beauty, never had the artist looked upon such a form and such a face.
It was a marvelous blending of the physical with the intellectual and
spiritual. A firm step was heard on the porch. “My husband,” said the
lady. And the stranger rose to greet—the woman’s _mate._ The children
of this father and mother were like them; or, as the visitor afterwards
said in his extravagant way, “like young gods for beauty and strength.”
The next summer the painter went again to the Ozarks. Even as he was
greeted by the strong master of the hills and his charming wife, there
fell upon his ears a dull report as of distant cannon; then another,
and another. They led him across the yard, and there to the north on
the other side of Roark, men were tearing up the mountain to make way
for the railroad. As they looked, another blast sent the rocks flying,
while the sound rolled and echoed through the peaceful hills.
The artist turned to his friends with questioning eyes; “Mr. Howitt
said it would come. Is he—is he well?”
Mrs. Matthews answered softly, “Dad left us while the surveyors were at
work. He sleeps yonder.” She pointed to Dewey Bald.
Then they went into the library, where the large picture was unveiled.
When the artist saw it, he exclaimed, “Mad Howard’s lost masterpiece!
How—where did you find it?”
“It was Father Howitt’s request that I tell you the story,” Sammy
replied.
And then she told the artist a part of that which I have set down here.
THE END.
Public-domain text, read in full here on John Shaqi.
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